Cinéma
Qui sont les 10 meilleures réalisatrices françaises en 2021 ?
Les César c'est terminé comme Roman Polanski et Luc Besson mais le cinéma lui continue d'avancer. Ils avaient besoin de...
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Comment votre addiction à Netflix contribue à détruire la planète
Chaque fois que nous envoyons un e-mail, recherchons sur Google ou regardons un film sur Netflix, du dioxyde de carbone...
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La société de production la plus créative du 21e siècle reste The Directors Bureau (et Iconoclast)
Roman Coppola a fondé le collectif de réalisateurs The Directors Bureau, maison qui représente des superstars comme Wes Anderson ou...
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Si vous aimez les films d’action idiots, il est difficile de ne pas aimer « Nobody »
Hutch Mansell, un père et un mari frustré, totalement déconsidéré par sa famille, se contente d’encaisser les coups, sans jamais...
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Déjà plus de 2 millions de vues pour le film-manifeste « PD »
Réalisé par l'excellent Olivier Lallart, le film raconte l'histoire d'une jeune homme de 17 ans qui se découvre une attirance...
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Quand la CIA infiltrait les milieux artistiques et intellectuels européens [film choc à voir absolument]
Dans les années de l'après-guerre, les services secrets américains lancent une vaste opération d'infiltration des milieux européens de la culture....
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« Ceci n’est pas un complot », non c’est un film choc
Pendant 36 semaines, le journaliste-réalisateur Bernard Crutzen s’est intéressé à la manière dont la presse belge francophone traite de la...
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Voir ici le film bouleversant « Smashing Kids » ou la guerre des classes contre les enfants
Lorsque pour la première fois j’ai fait un reportage sur la pauvreté des enfants en Grande-Bretagne, j’ai été frappé par...
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Regardez ici les 8 épisodes de la série l’Effondrement réalisé par le collectif « les parasites »
L'Effondrement, ce n'est pas la fin du monde (enfin pas encore), c'est une nouvelle série télévisée française inspirée par les...
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Les 10 meilleurs films de 2020, l’année où tout a basculé
1. Lovers Rock C'est le meilleur film de Steve McQueen. Il y examine la vie des Noirs en Grande-Bretagne...
Read moreEDITOR'S CHOICE
APAR.TV wants to experience what is the most progressive ideas, people, and projects that are happening now and that can guide us towards the future.
![Predictive Journalism [Magazines] @virgilabloh @wmag](https://scontent-cdg2-1.cdninstagram.com/v/t51.29350-15/209584973_2957777841155347_4545370530577311983_n.jpg?_nc_cat=111&ccb=1-5&_nc_sid=8ae9d6&_nc_ohc=1HiUsGd7uYMAX-Qk_zF&_nc_ht=scontent-cdg2-1.cdninstagram.com&edm=ANo9K5cEAAAA&oh=a6a1fcdaace4ccaf200c179d5e3f4847&oe=615286FF "Predictive Journalism [Magazines] @virgilabloh @wmag")
![The intersection of persona, product, propaganda, and profit. In 2021 is the brand Supreme any different than the brand GAGOSIAN? No. They are both strategic entities focused on valuations, cultural and capital. Each bestow status on their investors. What I am fascinated by is that they both trade in Dead Data. I find no intellectual difference between a Supreme x John Woo collaboration as GAGOSIAN exhibiting Harmony Korine’s paintings. In each case the two of them are basing the products social influence and exchange value on established [Dead] [Data] information. Both are DOA. Each of the artists and brands chosen for the first exhibition STUPID and the second DROPS are attempting an impossible narrative, to raise dead informational bits. What I find Intellectually horrifying is the scale of the audience and the financial market for this morbid display. The culturally transgressive destroys established values. The works in STUPID and DROPS are intellectual crimes in that they present what has already lost all meaning and value and the propaganda creates an altogether false meta-value. The transgressive preserves creative innocence by exposing the inherent corruption of the status quo.
MARK EVEN x STEVE OKLYN
2021](https://scontent-cdt1-1.cdninstagram.com/v/t51.29350-15/196860070_809654653271496_8575323350180795315_n.jpg?_nc_cat=105&ccb=1-5&_nc_sid=8ae9d6&_nc_ohc=E-hW2SYA5ncAX8ehmCB&_nc_ht=scontent-cdt1-1.cdninstagram.com&edm=ANo9K5cEAAAA&oh=149b432fd396ed17bcc578354a9fc415&oe=61531909 "The intersection of persona, product, propaganda, and profit. In 2021 is the brand Supreme any different than the brand GAGOSIAN? No. They are both strategic entities focused on valuations, cultural and capital. Each bestow status on their investors. What I am fascinated by is that they both trade in Dead Data. I find no intellectual difference between a Supreme x John Woo collaboration as GAGOSIAN exhibiting Harmony Korine’s paintings. In each case the two of them are basing the products social influence and exchange value on established [Dead] [Data] information. Both are DOA. Each of the artists and brands chosen for the first exhibition STUPID and the second DROPS are attempting an impossible narrative, to raise dead informational bits. What I find Intellectually horrifying is the scale of the audience and the financial market for this morbid display. The culturally transgressive destroys established values. The works in STUPID and DROPS are intellectual crimes in that they present what has already lost all meaning and value and the propaganda creates an altogether false meta-value. The transgressive preserves creative innocence by exposing the inherent corruption of the status quo.
MARK EVEN x STEVE OKLYN
2021")
![Mark Even American artist
Born 2000 Mountain View, CA.
Mark Even was convicted of a cybercrime in 2015. He was sentenced to ten years to be served at a new Federal prison: BALSEC ONE specifically for cyber criminals. It is located in Steele City, Nebraska.
Mark has used his time to develop an algorithmic based [Code art also known as code generated experiments] creative practice. He refers to BALSEC ONE as his Marfa. The BLACK POWER series is his newest work.
Note: Mark has no access to a computer in prison. He writes down the instructions of the work which are given to his lawyer who gives those directions to a member of the MLF [Mark Lombardi Faction] who have assisted him on a number of projects. Mark is currently thinking of releasing the BLACK POWER works as individual NFTs.
STEVE OKLYN
443 Institute
Thimphu, Bhutan](https://scontent-cdt1-1.cdninstagram.com/v/t51.29350-15/172246940_241775834361086_412793993617799165_n.jpg?_nc_cat=110&ccb=1-5&_nc_sid=8ae9d6&_nc_ohc=IZtXajEs73MAX_bk5-H&_nc_ht=scontent-cdt1-1.cdninstagram.com&edm=ANo9K5cEAAAA&oh=1295af904089a36890b92d7e8584ed19&oe=6153F835 "Mark Even American artist
Born 2000 Mountain View, CA.
Mark Even was convicted of a cybercrime in 2015. He was sentenced to ten years to be served at a new Federal prison: BALSEC ONE specifically for cyber criminals. It is located in Steele City, Nebraska.
Mark has used his time to develop an algorithmic based [Code art also known as code generated experiments] creative practice. He refers to BALSEC ONE as his Marfa. The BLACK POWER series is his newest work.
Note: Mark has no access to a computer in prison. He writes down the instructions of the work which are given to his lawyer who gives those directions to a member of the MLF [Mark Lombardi Faction] who have assisted him on a number of projects. Mark is currently thinking of releasing the BLACK POWER works as individual NFTs.
STEVE OKLYN
443 Institute
Thimphu, Bhutan")
