Mode
Ce que vous obtiendrez si vous remportez la vente aux enchères d’Emily Ratajkowski en NFT chez Christie’s
L'œuvre, intitulée "Buying Myself Back : A Model for Redistribution" est la dernière vente en date d'un jeton non fongible....
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La pornographe Petra Collins et Alexa Demie publient un livre de contes de fées érotiques
Petra Collins et Alexa Demie ont fait équipe pour une réinvention contemporaine d'un livre de contes de fées avec des...
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Le Covid-19 en 2021 est comme un retour aux années Sida de 1981. Il n’y aura pas vraiment de fin.
En 1983, Drew Carolan a 26 ans et embarque avec Richard Avedon pour assister le maitre de la photographie de...
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Comment devenir riche en vendant des « dick pics » sur internet ? Voici le mode d’emploi.
"Quiconque partage des photos indésirables de son "aubergine" en ligne doit penser qu'il s'agit d'une œuvre d'art, n'est-ce pas ?...
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D’Arthur Rimbaud à Alexandre Arnault : la conquête de la culture de la jeunesse française
Alexandre Arnault a transformé la poésie en produit et en promotion. Son objectif est de remplacer la poésie par...
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LOUIS VUITTON Psychological Operations Group: Drop No.1
Tiffany X Nike Spring/Summer 2021 MLF
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Voir ici le film bouleversant « Smashing Kids » ou la guerre des classes contre les enfants
Lorsque pour la première fois j’ai fait un reportage sur la pauvreté des enfants en Grande-Bretagne, j’ai été frappé par...
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Le manifeste féministe le plus performant du 21e siècle est signé par Felicity Palmateer
Cette surfeuse et artiste australienne s'appelle Felicity Palmateer. Elle a 28 ans et vient de dévoiler son nouveau projet intitulé...
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PREDICTIVE journalism: Supreme Museum [O K L Y N]
Ce projet n'est pas satirique. Il est présenté comme une fatalité.
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Les influenceurs Instagram du futur sont des modèles créés numériquement qui font gagner une fortune à leurs développeurs en faisant la promotion des marques de mode – même s’ils ne sont PAS réels
Les influenceurs Instagram du futur sont des modèles créés numériquement. Ils font gagner d'ores et déjà une petite fortune à...
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APAR.TV wants to experience what is the most progressive ideas, people, and projects that are happening now and that can guide us towards the future.
![Predictive Journalism [Magazines] @virgilabloh @wmag](https://scontent-cdg2-1.cdninstagram.com/v/t51.29350-15/209584973_2957777841155347_4545370530577311983_n.jpg?_nc_cat=111&ccb=1-3&_nc_sid=8ae9d6&_nc_ohc=280WM6UQe2QAX-EJb8X&_nc_ht=scontent-cdg2-1.cdninstagram.com&edm=ANo9K5cEAAAA&oh=be6fdbd428c7e917df521c382fd39ca0&oe=610F4A7F "Predictive Journalism [Magazines] @virgilabloh @wmag")
![The intersection of persona, product, propaganda, and profit. In 2021 is the brand Supreme any different than the brand GAGOSIAN? No. They are both strategic entities focused on valuations, cultural and capital. Each bestow status on their investors. What I am fascinated by is that they both trade in Dead Data. I find no intellectual difference between a Supreme x John Woo collaboration as GAGOSIAN exhibiting Harmony Korine’s paintings. In each case the two of them are basing the products social influence and exchange value on established [Dead] [Data] information. Both are DOA. Each of the artists and brands chosen for the first exhibition STUPID and the second DROPS are attempting an impossible narrative, to raise dead informational bits. What I find Intellectually horrifying is the scale of the audience and the financial market for this morbid display. The culturally transgressive destroys established values. The works in STUPID and DROPS are intellectual crimes in that they present what has already lost all meaning and value and the propaganda creates an altogether false meta-value. The transgressive preserves creative innocence by exposing the inherent corruption of the status quo.
MARK EVEN x STEVE OKLYN
2021](https://scontent-cdt1-1.cdninstagram.com/v/t51.29350-15/196860070_809654653271496_8575323350180795315_n.jpg?_nc_cat=105&ccb=1-3&_nc_sid=8ae9d6&_nc_ohc=2kEA3TgIjMkAX9lNu_N&_nc_ht=scontent-cdt1-1.cdninstagram.com&edm=ANo9K5cEAAAA&oh=e046febcb596990ebe7a9b30c15de67d&oe=610DE249 "The intersection of persona, product, propaganda, and profit. In 2021 is the brand Supreme any different than the brand GAGOSIAN? No. They are both strategic entities focused on valuations, cultural and capital. Each bestow status on their investors. What I am fascinated by is that they both trade in Dead Data. I find no intellectual difference between a Supreme x John Woo collaboration as GAGOSIAN exhibiting Harmony Korine’s paintings. In each case the two of them are basing the products social influence and exchange value on established [Dead] [Data] information. Both are DOA. Each of the artists and brands chosen for the first exhibition STUPID and the second DROPS are attempting an impossible narrative, to raise dead informational bits. What I find Intellectually horrifying is the scale of the audience and the financial market for this morbid display. The culturally transgressive destroys established values. The works in STUPID and DROPS are intellectual crimes in that they present what has already lost all meaning and value and the propaganda creates an altogether false meta-value. The transgressive preserves creative innocence by exposing the inherent corruption of the status quo.
MARK EVEN x STEVE OKLYN
2021")
![Mark Even American artist
Born 2000 Mountain View, CA.
Mark Even was convicted of a cybercrime in 2015. He was sentenced to ten years to be served at a new Federal prison: BALSEC ONE specifically for cyber criminals. It is located in Steele City, Nebraska.
Mark has used his time to develop an algorithmic based [Code art also known as code generated experiments] creative practice. He refers to BALSEC ONE as his Marfa. The BLACK POWER series is his newest work.
Note: Mark has no access to a computer in prison. He writes down the instructions of the work which are given to his lawyer who gives those directions to a member of the MLF [Mark Lombardi Faction] who have assisted him on a number of projects. Mark is currently thinking of releasing the BLACK POWER works as individual NFTs.
STEVE OKLYN
443 Institute
Thimphu, Bhutan](https://scontent-cdt1-1.cdninstagram.com/v/t51.29350-15/172246940_241775834361086_412793993617799165_n.jpg?_nc_cat=110&ccb=1-3&_nc_sid=8ae9d6&_nc_ohc=jG9d19jLvwEAX9i0sas&_nc_ht=scontent-cdt1-1.cdninstagram.com&edm=ANo9K5cEAAAA&oh=4c312d092188b476c5c2558916132686&oe=610EC175 "Mark Even American artist
Born 2000 Mountain View, CA.
Mark Even was convicted of a cybercrime in 2015. He was sentenced to ten years to be served at a new Federal prison: BALSEC ONE specifically for cyber criminals. It is located in Steele City, Nebraska.
Mark has used his time to develop an algorithmic based [Code art also known as code generated experiments] creative practice. He refers to BALSEC ONE as his Marfa. The BLACK POWER series is his newest work.
Note: Mark has no access to a computer in prison. He writes down the instructions of the work which are given to his lawyer who gives those directions to a member of the MLF [Mark Lombardi Faction] who have assisted him on a number of projects. Mark is currently thinking of releasing the BLACK POWER works as individual NFTs.
STEVE OKLYN
443 Institute
Thimphu, Bhutan")
