Photographie
La séance photo « The Last Session » de Kurt Cobain sera vendue sous forme de NFT
Notre ami photographe Jesse Frohman a officiellement publié la séance photo de Kurt Cobain , The Last Session , qui...
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Le Covid-19 en 2021 est comme un retour aux années Sida de 1981. Il n’y aura pas vraiment de fin.
En 1983, Drew Carolan a 26 ans et embarque avec Richard Avedon pour assister le maitre de la photographie de...
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40 ans d’hédonisme diurne et nocturne photographié par Nick Waplington
Le nouveau livre du photographe Nick Waplington 'Anaglypta' est un voyage éclair à travers la vie nocturne bruyante, des fêtes...
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Lou Escobar, photographe et réalisatrice bientôt en haut de l’affiche
Lou est à la fois photographe et vidéaste. Et Lou n'a rien à avoir avec Pablo le dealer. Maintenant que...
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Janette Beckman, la plus importante photographe du monde de la musique
Si il n'y avait qu'une seule photographe rock que vous devriez connaitre ça serait sans nul doute Janette Beckman. Elle...
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Joseph Szabo, photographe net, incisif et éternellement jeune
Joseph Szabo est l'un des enseignants les plus demandés au monde. Normal il est aussi un des meilleurs photographes de...
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L’impact d’Internet sur les modes de vie sexuels alternatifs sous l’œil de Joshua T Gibbons
Internet commence à façonner la culture sexuelle en occident. L'avant-garde de ce mouvement est le nombre croissant de personnes qui...
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Daragh Soden, photographe audacieux, honnête et en plus très beau
Le jeune photographe plein d'avenir Daragh Soden a capturé l'esprit de la jeunesse de Dublin alors même qu'ils passent à...
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Paula Court, la photographe emblématique qui a capturé la débauche et l’art du New York des années 80
Pour tous ceux qui sont intéressés par les scènes artistiques et musicales de New York dans les années 1980, c'est...
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Dans ces portraits candides, William Spooner surprend parfois mais hypnotise souvent
Dans les images de William Spooner, il y a un passage à l'âge adulte. Ses photographies sont intimes, honnêtes et...
Read moreEDITOR'S CHOICE
APAR.TV wants to experience what is the most progressive ideas, people, and projects that are happening now and that can guide us towards the future.
![Predictive Journalism [Magazines] @virgilabloh @wmag](https://scontent-cdg2-1.cdninstagram.com/v/t51.29350-15/209584973_2957777841155347_4545370530577311983_n.jpg?_nc_cat=111&ccb=1-5&_nc_sid=8ae9d6&_nc_ohc=1HiUsGd7uYMAX-Qk_zF&_nc_ht=scontent-cdg2-1.cdninstagram.com&edm=ANo9K5cEAAAA&oh=a6a1fcdaace4ccaf200c179d5e3f4847&oe=615286FF "Predictive Journalism [Magazines] @virgilabloh @wmag")
![The intersection of persona, product, propaganda, and profit. In 2021 is the brand Supreme any different than the brand GAGOSIAN? No. They are both strategic entities focused on valuations, cultural and capital. Each bestow status on their investors. What I am fascinated by is that they both trade in Dead Data. I find no intellectual difference between a Supreme x John Woo collaboration as GAGOSIAN exhibiting Harmony Korine’s paintings. In each case the two of them are basing the products social influence and exchange value on established [Dead] [Data] information. Both are DOA. Each of the artists and brands chosen for the first exhibition STUPID and the second DROPS are attempting an impossible narrative, to raise dead informational bits. What I find Intellectually horrifying is the scale of the audience and the financial market for this morbid display. The culturally transgressive destroys established values. The works in STUPID and DROPS are intellectual crimes in that they present what has already lost all meaning and value and the propaganda creates an altogether false meta-value. The transgressive preserves creative innocence by exposing the inherent corruption of the status quo.
MARK EVEN x STEVE OKLYN
2021](https://scontent-cdt1-1.cdninstagram.com/v/t51.29350-15/196860070_809654653271496_8575323350180795315_n.jpg?_nc_cat=105&ccb=1-5&_nc_sid=8ae9d6&_nc_ohc=E-hW2SYA5ncAX8ehmCB&_nc_ht=scontent-cdt1-1.cdninstagram.com&edm=ANo9K5cEAAAA&oh=149b432fd396ed17bcc578354a9fc415&oe=61531909 "The intersection of persona, product, propaganda, and profit. In 2021 is the brand Supreme any different than the brand GAGOSIAN? No. They are both strategic entities focused on valuations, cultural and capital. Each bestow status on their investors. What I am fascinated by is that they both trade in Dead Data. I find no intellectual difference between a Supreme x John Woo collaboration as GAGOSIAN exhibiting Harmony Korine’s paintings. In each case the two of them are basing the products social influence and exchange value on established [Dead] [Data] information. Both are DOA. Each of the artists and brands chosen for the first exhibition STUPID and the second DROPS are attempting an impossible narrative, to raise dead informational bits. What I find Intellectually horrifying is the scale of the audience and the financial market for this morbid display. The culturally transgressive destroys established values. The works in STUPID and DROPS are intellectual crimes in that they present what has already lost all meaning and value and the propaganda creates an altogether false meta-value. The transgressive preserves creative innocence by exposing the inherent corruption of the status quo.
MARK EVEN x STEVE OKLYN
2021")
![Mark Even American artist
Born 2000 Mountain View, CA.
Mark Even was convicted of a cybercrime in 2015. He was sentenced to ten years to be served at a new Federal prison: BALSEC ONE specifically for cyber criminals. It is located in Steele City, Nebraska.
Mark has used his time to develop an algorithmic based [Code art also known as code generated experiments] creative practice. He refers to BALSEC ONE as his Marfa. The BLACK POWER series is his newest work.
Note: Mark has no access to a computer in prison. He writes down the instructions of the work which are given to his lawyer who gives those directions to a member of the MLF [Mark Lombardi Faction] who have assisted him on a number of projects. Mark is currently thinking of releasing the BLACK POWER works as individual NFTs.
STEVE OKLYN
443 Institute
Thimphu, Bhutan](https://scontent-cdt1-1.cdninstagram.com/v/t51.29350-15/172246940_241775834361086_412793993617799165_n.jpg?_nc_cat=110&ccb=1-5&_nc_sid=8ae9d6&_nc_ohc=IZtXajEs73MAX_bk5-H&_nc_ht=scontent-cdt1-1.cdninstagram.com&edm=ANo9K5cEAAAA&oh=1295af904089a36890b92d7e8584ed19&oe=6153F835 "Mark Even American artist
Born 2000 Mountain View, CA.
Mark Even was convicted of a cybercrime in 2015. He was sentenced to ten years to be served at a new Federal prison: BALSEC ONE specifically for cyber criminals. It is located in Steele City, Nebraska.
Mark has used his time to develop an algorithmic based [Code art also known as code generated experiments] creative practice. He refers to BALSEC ONE as his Marfa. The BLACK POWER series is his newest work.
Note: Mark has no access to a computer in prison. He writes down the instructions of the work which are given to his lawyer who gives those directions to a member of the MLF [Mark Lombardi Faction] who have assisted him on a number of projects. Mark is currently thinking of releasing the BLACK POWER works as individual NFTs.
STEVE OKLYN
443 Institute
Thimphu, Bhutan")
