Publicité
Ingmar Bergman a été un réalisateur de films de pub de savon et il en avait terriblement honte
Tout le monde l'a oublié mais l'immense Ingmar Bergman a réalisé neuf publicités pour du savon au début des années...
Read more
La communauté créative mondiale doit être en état d’alerte : les marques risquent de pouvoir légalement partager vos photos Instagram
Volvo a déposé une requête en justice cette semaine affirmant que le constructeur automobile peut utiliser ou partager à nouveau...
Read more
Le phénomène des « fausses vues » sur Instagram s’intensifie : 5$ pour 1000 vues ou 15$ pour 1000 likes payables en Bitcoins sur Telegram
Instagram vient juste de lancer une nouvelle fonctionnalité de vidéo courte appelée Instagram Reels. C'est essentiellement la réponse d'IG à...
Read more
EMPTY : le premier magazine culturel sans rien dedans
La presse magazine post-covid-19 va vivre des transformations sans précédent. Pour les amorcer nous lançons le magazine EMPTY dont Steve...
Read more
HIBER 1.0 : Une vie intérieure
HIBER 1.0: Une vie intérieure Nous sommes involontairement confinés, précipités dans une sorte d'hibernation. Du jour au lendemain, notre quotidien...
Read more
Les galeries d’art comme les foires vont devenir les prochains grands producteurs de contenu
Plus que jamais, le contenu va être roi. C'est ce qu'avait déclaré Bill Gates, plus de 24 ans avant la...
Read more
L’avenir de la presse écrite dans les périodes troubles par Elise By Olsen
Mon travail au sein de l'appareil médiatique se traduit généralement par des voyages, des réunions internationales et de la gestion...
Read more
La génération TikTok va t-elle remplacer Netflix et Disney+ par Quibi ?
Il y a 3 questions qui vont obséder et affoler le monde des médias en 2020. 1. Est-ce que la...
Read more
LOUIS VUITTON : MADE IN TEXAS
Au Texas, hier, il y a eu la rencontre des deux marques les plus controversées d'occident. La marque TRUMP et...
Read more
Peter Saville, de Joy Division à Pornhub. Quelle carrière !
La plateforme pornographique Pornhub vient de faire appel a Peter Saville pour la conception de ses trophées en forme de...
Read moreEDITOR'S CHOICE
APAR.TV wants to experience what is the most progressive ideas, people, and projects that are happening now and that can guide us towards the future.
![Predictive Journalism [Magazines] @virgilabloh @wmag](https://scontent-cdg2-1.cdninstagram.com/v/t51.29350-15/209584973_2957777841155347_4545370530577311983_n.jpg?_nc_cat=111&ccb=1-5&_nc_sid=8ae9d6&_nc_ohc=1HiUsGd7uYMAX-Qk_zF&_nc_ht=scontent-cdg2-1.cdninstagram.com&edm=ANo9K5cEAAAA&oh=a6a1fcdaace4ccaf200c179d5e3f4847&oe=615286FF "Predictive Journalism [Magazines] @virgilabloh @wmag")
![The intersection of persona, product, propaganda, and profit. In 2021 is the brand Supreme any different than the brand GAGOSIAN? No. They are both strategic entities focused on valuations, cultural and capital. Each bestow status on their investors. What I am fascinated by is that they both trade in Dead Data. I find no intellectual difference between a Supreme x John Woo collaboration as GAGOSIAN exhibiting Harmony Korine’s paintings. In each case the two of them are basing the products social influence and exchange value on established [Dead] [Data] information. Both are DOA. Each of the artists and brands chosen for the first exhibition STUPID and the second DROPS are attempting an impossible narrative, to raise dead informational bits. What I find Intellectually horrifying is the scale of the audience and the financial market for this morbid display. The culturally transgressive destroys established values. The works in STUPID and DROPS are intellectual crimes in that they present what has already lost all meaning and value and the propaganda creates an altogether false meta-value. The transgressive preserves creative innocence by exposing the inherent corruption of the status quo.
MARK EVEN x STEVE OKLYN
2021](https://scontent-cdt1-1.cdninstagram.com/v/t51.29350-15/196860070_809654653271496_8575323350180795315_n.jpg?_nc_cat=105&ccb=1-5&_nc_sid=8ae9d6&_nc_ohc=E-hW2SYA5ncAX8ehmCB&_nc_ht=scontent-cdt1-1.cdninstagram.com&edm=ANo9K5cEAAAA&oh=149b432fd396ed17bcc578354a9fc415&oe=61531909 "The intersection of persona, product, propaganda, and profit. In 2021 is the brand Supreme any different than the brand GAGOSIAN? No. They are both strategic entities focused on valuations, cultural and capital. Each bestow status on their investors. What I am fascinated by is that they both trade in Dead Data. I find no intellectual difference between a Supreme x John Woo collaboration as GAGOSIAN exhibiting Harmony Korine’s paintings. In each case the two of them are basing the products social influence and exchange value on established [Dead] [Data] information. Both are DOA. Each of the artists and brands chosen for the first exhibition STUPID and the second DROPS are attempting an impossible narrative, to raise dead informational bits. What I find Intellectually horrifying is the scale of the audience and the financial market for this morbid display. The culturally transgressive destroys established values. The works in STUPID and DROPS are intellectual crimes in that they present what has already lost all meaning and value and the propaganda creates an altogether false meta-value. The transgressive preserves creative innocence by exposing the inherent corruption of the status quo.
MARK EVEN x STEVE OKLYN
2021")
![Mark Even American artist
Born 2000 Mountain View, CA.
Mark Even was convicted of a cybercrime in 2015. He was sentenced to ten years to be served at a new Federal prison: BALSEC ONE specifically for cyber criminals. It is located in Steele City, Nebraska.
Mark has used his time to develop an algorithmic based [Code art also known as code generated experiments] creative practice. He refers to BALSEC ONE as his Marfa. The BLACK POWER series is his newest work.
Note: Mark has no access to a computer in prison. He writes down the instructions of the work which are given to his lawyer who gives those directions to a member of the MLF [Mark Lombardi Faction] who have assisted him on a number of projects. Mark is currently thinking of releasing the BLACK POWER works as individual NFTs.
STEVE OKLYN
443 Institute
Thimphu, Bhutan](https://scontent-cdt1-1.cdninstagram.com/v/t51.29350-15/172246940_241775834361086_412793993617799165_n.jpg?_nc_cat=110&ccb=1-5&_nc_sid=8ae9d6&_nc_ohc=IZtXajEs73MAX_bk5-H&_nc_ht=scontent-cdt1-1.cdninstagram.com&edm=ANo9K5cEAAAA&oh=1295af904089a36890b92d7e8584ed19&oe=6153F835 "Mark Even American artist
Born 2000 Mountain View, CA.
Mark Even was convicted of a cybercrime in 2015. He was sentenced to ten years to be served at a new Federal prison: BALSEC ONE specifically for cyber criminals. It is located in Steele City, Nebraska.
Mark has used his time to develop an algorithmic based [Code art also known as code generated experiments] creative practice. He refers to BALSEC ONE as his Marfa. The BLACK POWER series is his newest work.
Note: Mark has no access to a computer in prison. He writes down the instructions of the work which are given to his lawyer who gives those directions to a member of the MLF [Mark Lombardi Faction] who have assisted him on a number of projects. Mark is currently thinking of releasing the BLACK POWER works as individual NFTs.
STEVE OKLYN
443 Institute
Thimphu, Bhutan")
