Art
La photographe Maria Clara Macrì a voyagé à travers le monde pour capturer des femmes à l’aise dans leurs chambres
Depuis 2018, la photographe cherche sans relâche des destinations qui pourraient lui permettre de rencontrer son prochain sujet. Que ce...
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Scarlett Carlos Clarke immortalise la maternité pendant le confinement avec des images dystopiques
Comme un drame apocalyptique sur un évier de cuisine, la première exposition solo de Scarlett Carlos Clarke, "The Smell of...
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MADE IN CHINA Andy Warhol CLONE
A report by Mr. Eizo Ota and STEVE OKLYN MLF June 21, 2006: Christie’s Live Auction 1681,...
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Banksy est dépossédé d’oeuvres déposées et « ne peut plus revendiquer le droit d’auteur » sur ses œuvres car il « agit de mauvaise foi » en restant anonyme
Banksy a été dépossédé de deux autres marques pour ses œuvres car il n'avait jamais eu l'intention de les commercialiser...
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La refonte de la Bourse de Commerce de Paris est un « désastre complet » qui fait du bâtiment un monument de la violence coloniale française
Il y a enfin un immense critique d'art qui a fait une critique honnête sur la nouvelle fondation du milliardaire...
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Paris pourrait-elle défier Londres en tant que future capitale européenne de l’art ?
Depuis 2000, le bâtiment abrite le siège de Christie's, la maison de vente aux enchères du magnat de la mode...
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Le documentaire époustouflant « All Light, Everywhere » démontre les préjugés et les dangers liés à la surveillance
Le dernier film de Theo Anthony "All Light, Everywhere" se concentre sur la surveillance portée par les flics en tant...
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La Fondation Carmignac de Porquerolles fait mieux en une expo que les Fondations de Pinault, Arnault et Hoffmann
Embarquer dans l’exposition "La Mer imaginaire", c'est s'interroger sur les relations de l’homme, du monde subaquatique et des organismes marins...
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Découvrez Ai-Da, le premier robot humanoïde au monde capable de créer des œuvres d’art
Ai-Da peut à la fois dessiner et engager une discussion en direct. Son bras robotique, développé par Salah Al Abd...
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Le groupe de pré-ados le plus cool du monde s’appelle « The Linda Lindas »
Non le punk n'est pas mort. La preuve avec Mila, 10 ans, Eloïse, 13 ans, Lucia, 14 ans, et Bela,...
Read moreEDITOR'S CHOICE
APAR.TV wants to experience what is the most progressive ideas, people, and projects that are happening now and that can guide us towards the future.
![Predictive Journalism [Magazines] @virgilabloh @wmag](https://scontent-cdg2-1.cdninstagram.com/v/t51.29350-15/209584973_2957777841155347_4545370530577311983_n.jpg?_nc_cat=111&ccb=1-5&_nc_sid=8ae9d6&_nc_ohc=1HiUsGd7uYMAX-Qk_zF&_nc_ht=scontent-cdg2-1.cdninstagram.com&edm=ANo9K5cEAAAA&oh=a6a1fcdaace4ccaf200c179d5e3f4847&oe=615286FF "Predictive Journalism [Magazines] @virgilabloh @wmag")
![The intersection of persona, product, propaganda, and profit. In 2021 is the brand Supreme any different than the brand GAGOSIAN? No. They are both strategic entities focused on valuations, cultural and capital. Each bestow status on their investors. What I am fascinated by is that they both trade in Dead Data. I find no intellectual difference between a Supreme x John Woo collaboration as GAGOSIAN exhibiting Harmony Korine’s paintings. In each case the two of them are basing the products social influence and exchange value on established [Dead] [Data] information. Both are DOA. Each of the artists and brands chosen for the first exhibition STUPID and the second DROPS are attempting an impossible narrative, to raise dead informational bits. What I find Intellectually horrifying is the scale of the audience and the financial market for this morbid display. The culturally transgressive destroys established values. The works in STUPID and DROPS are intellectual crimes in that they present what has already lost all meaning and value and the propaganda creates an altogether false meta-value. The transgressive preserves creative innocence by exposing the inherent corruption of the status quo.
MARK EVEN x STEVE OKLYN
2021](https://scontent-cdt1-1.cdninstagram.com/v/t51.29350-15/196860070_809654653271496_8575323350180795315_n.jpg?_nc_cat=105&ccb=1-5&_nc_sid=8ae9d6&_nc_ohc=E-hW2SYA5ncAX8ehmCB&_nc_ht=scontent-cdt1-1.cdninstagram.com&edm=ANo9K5cEAAAA&oh=149b432fd396ed17bcc578354a9fc415&oe=61531909 "The intersection of persona, product, propaganda, and profit. In 2021 is the brand Supreme any different than the brand GAGOSIAN? No. They are both strategic entities focused on valuations, cultural and capital. Each bestow status on their investors. What I am fascinated by is that they both trade in Dead Data. I find no intellectual difference between a Supreme x John Woo collaboration as GAGOSIAN exhibiting Harmony Korine’s paintings. In each case the two of them are basing the products social influence and exchange value on established [Dead] [Data] information. Both are DOA. Each of the artists and brands chosen for the first exhibition STUPID and the second DROPS are attempting an impossible narrative, to raise dead informational bits. What I find Intellectually horrifying is the scale of the audience and the financial market for this morbid display. The culturally transgressive destroys established values. The works in STUPID and DROPS are intellectual crimes in that they present what has already lost all meaning and value and the propaganda creates an altogether false meta-value. The transgressive preserves creative innocence by exposing the inherent corruption of the status quo.
MARK EVEN x STEVE OKLYN
2021")
![Mark Even American artist
Born 2000 Mountain View, CA.
Mark Even was convicted of a cybercrime in 2015. He was sentenced to ten years to be served at a new Federal prison: BALSEC ONE specifically for cyber criminals. It is located in Steele City, Nebraska.
Mark has used his time to develop an algorithmic based [Code art also known as code generated experiments] creative practice. He refers to BALSEC ONE as his Marfa. The BLACK POWER series is his newest work.
Note: Mark has no access to a computer in prison. He writes down the instructions of the work which are given to his lawyer who gives those directions to a member of the MLF [Mark Lombardi Faction] who have assisted him on a number of projects. Mark is currently thinking of releasing the BLACK POWER works as individual NFTs.
STEVE OKLYN
443 Institute
Thimphu, Bhutan](https://scontent-cdt1-1.cdninstagram.com/v/t51.29350-15/172246940_241775834361086_412793993617799165_n.jpg?_nc_cat=110&ccb=1-5&_nc_sid=8ae9d6&_nc_ohc=IZtXajEs73MAX_bk5-H&_nc_ht=scontent-cdt1-1.cdninstagram.com&edm=ANo9K5cEAAAA&oh=1295af904089a36890b92d7e8584ed19&oe=6153F835 "Mark Even American artist
Born 2000 Mountain View, CA.
Mark Even was convicted of a cybercrime in 2015. He was sentenced to ten years to be served at a new Federal prison: BALSEC ONE specifically for cyber criminals. It is located in Steele City, Nebraska.
Mark has used his time to develop an algorithmic based [Code art also known as code generated experiments] creative practice. He refers to BALSEC ONE as his Marfa. The BLACK POWER series is his newest work.
Note: Mark has no access to a computer in prison. He writes down the instructions of the work which are given to his lawyer who gives those directions to a member of the MLF [Mark Lombardi Faction] who have assisted him on a number of projects. Mark is currently thinking of releasing the BLACK POWER works as individual NFTs.
STEVE OKLYN
443 Institute
Thimphu, Bhutan")
