NFT : pourquoi les actifs numériques ont une empreinte carbone si massive
Bienvenue dans le monde étrange des objets de collection d'art crypto, également connus sous le nom de NFT. Comme ...
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Étiquette : futur
L’Université est morte, la génération Z abandonne en masse les études pour gagner leur vie sur les marchés boursiers
La génération Z et la génération Y disent qu'ils gagnent de l'argent en travaillant depuis chez eux dans le domaine ...
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Elon Musk veut assurer la survie de notre espèce en faisant débarquer des humains sur Mars d’ici 2026
SpaceX dirigé par Elon Musk vient de remporter un contrat de 2,9 milliards de dollars avec la Nasa pour faire ...
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La société de production la plus créative du 21e siècle reste The Directors Bureau (et Iconoclast)
Roman Coppola a fondé le collectif de réalisateurs The Directors Bureau, maison qui représente des superstars comme Wes Anderson ou ...
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La batterie DIAMOND alimentée par les déchets nucléaires radioactifs « fonctionnera pendant 28000 ans » et pourrait être mise en vente d’ici 2023
C'est une révolution. La batterie DIAMOND radioactive alimentée par les déchets nucléaires "fonctionnera pendant 28000 ans" et pourrait être mise ...
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Tout le monde va pouvoir créer son double numérique en quelques minutes grâce à MetaHuman Creator
La fiction vient de dépasser la réalité. C'est officiel. La société de logiciels et de jeux Epic Games a créé ...
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Le monde de l’art n’est plus qu’une question de datas. Les artistes sont réduits à des gagnants ou à des perdants. La plupart sont des perdants.
L'art est une marchandise financière. Les artistes sont des marques, classées par prix. Les collectionneurs sont classés par puissance. Le ...
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Les influenceurs Instagram du futur sont des modèles créés numériquement qui font gagner une fortune à leurs développeurs en faisant la promotion des marques de mode – même s’ils ne sont PAS réels
Les influenceurs Instagram du futur sont des modèles créés numériquement. Ils font gagner d'ores et déjà une petite fortune à ...
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Le réalisateur Edson Oda, moitié japonais, moitié brésilien est le meilleur de sa génération
Edson Oda est un scénariste et réalisateur à la fois japonais et brésilien dont on regarde l'éclosion depuis plusieurs années. ...
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Les prédictions d’un monde post-Covid-19 : chute du taux de natalité, le célibat durera plus longtemps et les femmes se sexualiseront davantage
Voici ce que le Covid-19 va vraiment produire sur la société. Les taux de natalité chuteront, les gens resteront célibataires ...
Read moreEDITOR'S CHOICE
APAR.TV wants to experience what is the most progressive ideas, people, and projects that are happening now and that can guide us towards the future.
![Predictive Journalism [Magazines] @virgilabloh @wmag](https://scontent-cdg2-1.cdninstagram.com/v/t51.29350-15/209584973_2957777841155347_4545370530577311983_n.jpg?_nc_cat=111&ccb=1-3&_nc_sid=8ae9d6&_nc_ohc=280WM6UQe2QAX-EJb8X&_nc_ht=scontent-cdg2-1.cdninstagram.com&edm=ANo9K5cEAAAA&oh=a77b645de20ce0f47ec29c83b5c91ae0&oe=610B55FF "Predictive Journalism [Magazines] @virgilabloh @wmag")
![The intersection of persona, product, propaganda, and profit. In 2021 is the brand Supreme any different than the brand GAGOSIAN? No. They are both strategic entities focused on valuations, cultural and capital. Each bestow status on their investors. What I am fascinated by is that they both trade in Dead Data. I find no intellectual difference between a Supreme x John Woo collaboration as GAGOSIAN exhibiting Harmony Korine’s paintings. In each case the two of them are basing the products social influence and exchange value on established [Dead] [Data] information. Both are DOA. Each of the artists and brands chosen for the first exhibition STUPID and the second DROPS are attempting an impossible narrative, to raise dead informational bits. What I find Intellectually horrifying is the scale of the audience and the financial market for this morbid display. The culturally transgressive destroys established values. The works in STUPID and DROPS are intellectual crimes in that they present what has already lost all meaning and value and the propaganda creates an altogether false meta-value. The transgressive preserves creative innocence by exposing the inherent corruption of the status quo.
MARK EVEN x STEVE OKLYN
2021](https://scontent-cdt1-1.cdninstagram.com/v/t51.29350-15/196860070_809654653271496_8575323350180795315_n.jpg?_nc_cat=105&ccb=1-3&_nc_sid=8ae9d6&_nc_ohc=2kEA3TgIjMkAX9lNu_N&_nc_ht=scontent-cdt1-1.cdninstagram.com&edm=ANo9K5cEAAAA&oh=2a2d162f9a53af0d75d77814ef16c30f&oe=610BE809 "The intersection of persona, product, propaganda, and profit. In 2021 is the brand Supreme any different than the brand GAGOSIAN? No. They are both strategic entities focused on valuations, cultural and capital. Each bestow status on their investors. What I am fascinated by is that they both trade in Dead Data. I find no intellectual difference between a Supreme x John Woo collaboration as GAGOSIAN exhibiting Harmony Korine’s paintings. In each case the two of them are basing the products social influence and exchange value on established [Dead] [Data] information. Both are DOA. Each of the artists and brands chosen for the first exhibition STUPID and the second DROPS are attempting an impossible narrative, to raise dead informational bits. What I find Intellectually horrifying is the scale of the audience and the financial market for this morbid display. The culturally transgressive destroys established values. The works in STUPID and DROPS are intellectual crimes in that they present what has already lost all meaning and value and the propaganda creates an altogether false meta-value. The transgressive preserves creative innocence by exposing the inherent corruption of the status quo.
MARK EVEN x STEVE OKLYN
2021")
![Mark Even American artist
Born 2000 Mountain View, CA.
Mark Even was convicted of a cybercrime in 2015. He was sentenced to ten years to be served at a new Federal prison: BALSEC ONE specifically for cyber criminals. It is located in Steele City, Nebraska.
Mark has used his time to develop an algorithmic based [Code art also known as code generated experiments] creative practice. He refers to BALSEC ONE as his Marfa. The BLACK POWER series is his newest work.
Note: Mark has no access to a computer in prison. He writes down the instructions of the work which are given to his lawyer who gives those directions to a member of the MLF [Mark Lombardi Faction] who have assisted him on a number of projects. Mark is currently thinking of releasing the BLACK POWER works as individual NFTs.
STEVE OKLYN
443 Institute
Thimphu, Bhutan](https://scontent-cdt1-1.cdninstagram.com/v/t51.29350-15/172246940_241775834361086_412793993617799165_n.jpg?_nc_cat=110&ccb=1-3&_nc_sid=8ae9d6&_nc_ohc=xRytIoLI0egAX9ik3KR&_nc_ht=scontent-cdt1-1.cdninstagram.com&edm=ANo9K5cEAAAA&oh=c277afd8172d71ed11a5f14a6fada34f&oe=610CC735 "Mark Even American artist
Born 2000 Mountain View, CA.
Mark Even was convicted of a cybercrime in 2015. He was sentenced to ten years to be served at a new Federal prison: BALSEC ONE specifically for cyber criminals. It is located in Steele City, Nebraska.
Mark has used his time to develop an algorithmic based [Code art also known as code generated experiments] creative practice. He refers to BALSEC ONE as his Marfa. The BLACK POWER series is his newest work.
Note: Mark has no access to a computer in prison. He writes down the instructions of the work which are given to his lawyer who gives those directions to a member of the MLF [Mark Lombardi Faction] who have assisted him on a number of projects. Mark is currently thinking of releasing the BLACK POWER works as individual NFTs.
STEVE OKLYN
443 Institute
Thimphu, Bhutan")
