EMPTY : le premier magazine culturel sans rien dedans
La presse magazine post-covid-19 va vivre des transformations sans précédent. Pour les amorcer nous lançons le magazine EMPTY dont Steve ...
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Étiquette : Aurélien Poirson
O K L Y N Univers Lecture No.2 BUTTONS
Après la première exposition SHROOMS en Juin 2019 chez NOBSHOWROOM pour introduire la première post-marque mystique et spirituelle au monde, ...
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O K L Y N UNIVERS
O K L Y N est une idée originale de STEVE OKLYN et d’APAR.TV représentant une collection d’articles sélectionnés pour ...
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M01 : MONACO 1297
Destruction Créative par GENERIC ARCHITECTS pour la Principauté de Monaco. M01 : MONACO 1297
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MARK EVEN revient avec une œuvre inoubliable sous le nom de FORGOTTEN.
Mark Even vient d'avoir 18 ans. Il est enfin majeur sur notre territoire. Son travail passe à la vitesse supérieur. ...
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GENERIC ARCHITECTS de la DISRUPTION à la DESTRUCTION créative
Le directeur de création Steven Mark Klein et le fondateur d’APAR.TV, Aurélien Poirson-Atlan lancent GENERIC ARCHITECTS qui est un nouvel ...
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Interview with Reece Crisp, Head of Buying. Creative and Style at LN-CC
La Famille Oklyn est fier de vous présenter notre première collaboration avec le concept-store LN-CC sous le nom de code ...
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Hier #fuckhm, aujourd’hui #fuckkering et demain #fucklvmh
Il y a des hasards qui font bien les choses. Avant de clôturer notre exposition NOGUCCISYMBOL, la marque Gucci vient ...
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POPULAR UPRISING : Une action organisée par The Oklyn Family
POPULAR UPRISING : Une action organisée par The Oklyn Family Idée : Créer un virus ANTI-FASHIONWORLD efficace Concept : Concevoir ...
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La jeunesse française boycotte GUCCI pour son délit d’appropriation culturelle
Est-ce que les manifestants en Mai 1968 étaient habillés en Gucci ? Est-ce que Jean-Luc Godard portait du Gucci pour ...
Read moreEDITOR'S CHOICE
APAR.TV wants to experience what is the most progressive ideas, people, and projects that are happening now and that can guide us towards the future.
![Predictive Journalism [Magazines] @virgilabloh @wmag](https://scontent-cdg2-1.cdninstagram.com/v/t51.29350-15/209584973_2957777841155347_4545370530577311983_n.jpg?_nc_cat=111&ccb=1-3&_nc_sid=8ae9d6&_nc_ohc=280WM6UQe2QAX-EJb8X&_nc_ht=scontent-cdg2-1.cdninstagram.com&edm=ANo9K5cEAAAA&oh=a77b645de20ce0f47ec29c83b5c91ae0&oe=610B55FF "Predictive Journalism [Magazines] @virgilabloh @wmag")
![The intersection of persona, product, propaganda, and profit. In 2021 is the brand Supreme any different than the brand GAGOSIAN? No. They are both strategic entities focused on valuations, cultural and capital. Each bestow status on their investors. What I am fascinated by is that they both trade in Dead Data. I find no intellectual difference between a Supreme x John Woo collaboration as GAGOSIAN exhibiting Harmony Korine’s paintings. In each case the two of them are basing the products social influence and exchange value on established [Dead] [Data] information. Both are DOA. Each of the artists and brands chosen for the first exhibition STUPID and the second DROPS are attempting an impossible narrative, to raise dead informational bits. What I find Intellectually horrifying is the scale of the audience and the financial market for this morbid display. The culturally transgressive destroys established values. The works in STUPID and DROPS are intellectual crimes in that they present what has already lost all meaning and value and the propaganda creates an altogether false meta-value. The transgressive preserves creative innocence by exposing the inherent corruption of the status quo.
MARK EVEN x STEVE OKLYN
2021](https://scontent-cdt1-1.cdninstagram.com/v/t51.29350-15/196860070_809654653271496_8575323350180795315_n.jpg?_nc_cat=105&ccb=1-3&_nc_sid=8ae9d6&_nc_ohc=2kEA3TgIjMkAX9lNu_N&_nc_ht=scontent-cdt1-1.cdninstagram.com&edm=ANo9K5cEAAAA&oh=2a2d162f9a53af0d75d77814ef16c30f&oe=610BE809 "The intersection of persona, product, propaganda, and profit. In 2021 is the brand Supreme any different than the brand GAGOSIAN? No. They are both strategic entities focused on valuations, cultural and capital. Each bestow status on their investors. What I am fascinated by is that they both trade in Dead Data. I find no intellectual difference between a Supreme x John Woo collaboration as GAGOSIAN exhibiting Harmony Korine’s paintings. In each case the two of them are basing the products social influence and exchange value on established [Dead] [Data] information. Both are DOA. Each of the artists and brands chosen for the first exhibition STUPID and the second DROPS are attempting an impossible narrative, to raise dead informational bits. What I find Intellectually horrifying is the scale of the audience and the financial market for this morbid display. The culturally transgressive destroys established values. The works in STUPID and DROPS are intellectual crimes in that they present what has already lost all meaning and value and the propaganda creates an altogether false meta-value. The transgressive preserves creative innocence by exposing the inherent corruption of the status quo.
MARK EVEN x STEVE OKLYN
2021")
![Mark Even American artist
Born 2000 Mountain View, CA.
Mark Even was convicted of a cybercrime in 2015. He was sentenced to ten years to be served at a new Federal prison: BALSEC ONE specifically for cyber criminals. It is located in Steele City, Nebraska.
Mark has used his time to develop an algorithmic based [Code art also known as code generated experiments] creative practice. He refers to BALSEC ONE as his Marfa. The BLACK POWER series is his newest work.
Note: Mark has no access to a computer in prison. He writes down the instructions of the work which are given to his lawyer who gives those directions to a member of the MLF [Mark Lombardi Faction] who have assisted him on a number of projects. Mark is currently thinking of releasing the BLACK POWER works as individual NFTs.
STEVE OKLYN
443 Institute
Thimphu, Bhutan](https://scontent-cdt1-1.cdninstagram.com/v/t51.29350-15/172246940_241775834361086_412793993617799165_n.jpg?_nc_cat=110&ccb=1-3&_nc_sid=8ae9d6&_nc_ohc=xRytIoLI0egAX9ik3KR&_nc_ht=scontent-cdt1-1.cdninstagram.com&edm=ANo9K5cEAAAA&oh=c277afd8172d71ed11a5f14a6fada34f&oe=610CC735 "Mark Even American artist
Born 2000 Mountain View, CA.
Mark Even was convicted of a cybercrime in 2015. He was sentenced to ten years to be served at a new Federal prison: BALSEC ONE specifically for cyber criminals. It is located in Steele City, Nebraska.
Mark has used his time to develop an algorithmic based [Code art also known as code generated experiments] creative practice. He refers to BALSEC ONE as his Marfa. The BLACK POWER series is his newest work.
Note: Mark has no access to a computer in prison. He writes down the instructions of the work which are given to his lawyer who gives those directions to a member of the MLF [Mark Lombardi Faction] who have assisted him on a number of projects. Mark is currently thinking of releasing the BLACK POWER works as individual NFTs.
STEVE OKLYN
443 Institute
Thimphu, Bhutan")
