Les 10 conditions pour que l’HIVER CULTUREL arrive
D'abord il y eu le RÉCHAUFFEMENT CULTUREL, puis l'HIBER NATION et aujourd'hui toutes les conditions sont réunies pour que l'HIVER ...
Read more
Étiquette : Kanye West
LOUIS VUITTON Men’s S/S 2019
This is the way the world ends This is the way the world ends This is the way the world ...
Read more
FUCK THE MET GALA 2016
FUCK THE MET GALA 2016 FUCK MARK ZUCKERBERG FUCK KEVIN SYSTROM FUCK EVAN SPIEGEL FUCK ANNA WINTOUR FUCK EVA CHEN ...
Read more![SUBURBANISM: THE SOFT-CARPETED WORLD [FASTER] STEVE OKLYN](https://www.apar.tv/wp-content/uploads/2020/05/balmain-front-row-paris-fashion-week-womenswear-fall-winter-1-350x250.jpg)
SUBURBANISM: THE SOFT-CARPETED WORLD [FASTER] STEVE OKLYN
Derek Zoolander took a selfie with Hansel and American Vogue editor-in-chief Anna Wintour today. They were together back stage before ...
Read more![SUBURBANISM: THE SOFT-CARPETED WORLD [FASTER]](https://www.apar.tv/wp-content/uploads/2020/05/chanel-show-11-350x250.jpg)
SUBURBANISM: THE SOFT-CARPETED WORLD [FASTER]
Derek Zoolander a pris un selfie avec Hansel et la rédactrice en chef de Vogue US, Anna Wintour aujourd'hui. Ils ...
Read more
Le sombre defilé de Kanye West pour Adidas
Kanye West s’affirme de plus en plus comme un artiste multi-disciplinaire. À voir le défilé pour Adidas qu’il a orchestré ...
Read more
KANYE WEST RIDICULISÉ
À priori, nous ne sommes pas les seuls à avoir pensé que monsieur et madame Kardashian se sont ridiculisés dans ...
Read more
LE CLIP LE PLUS NUL DE L’HISTOIRE
On est peut-être un peu méchant dans le titre ici. Pour être précis, disons que c'est le clip qui, selon ...
Read more
GESAFFELSTEIN : LA FRENCH TOUCH 3.0
On ne présente plus Mike Lévy aka Gesaffelstein, OVNI de la techno mais surtout DJ et producteur français de musique électronique. C’est en ...
Read more
KANYE WEST – BLACK SKINHEAD
Coup marketing ou non, Kanye West avait refusé toute opération promotionnelle avant la sortie de son album Yeezus. À priori, ...
Read moreEDITOR'S CHOICE
APAR.TV wants to experience what is the most progressive ideas, people, and projects that are happening now and that can guide us towards the future.
![Predictive Journalism [Magazines] @virgilabloh @wmag](https://scontent-cdg2-1.cdninstagram.com/v/t51.29350-15/209584973_2957777841155347_4545370530577311983_n.jpg?_nc_cat=111&ccb=1-3&_nc_sid=8ae9d6&_nc_ohc=280WM6UQe2QAX-EJb8X&_nc_ht=scontent-cdg2-1.cdninstagram.com&edm=ANo9K5cEAAAA&oh=a77b645de20ce0f47ec29c83b5c91ae0&oe=610B55FF "Predictive Journalism [Magazines] @virgilabloh @wmag")
![The intersection of persona, product, propaganda, and profit. In 2021 is the brand Supreme any different than the brand GAGOSIAN? No. They are both strategic entities focused on valuations, cultural and capital. Each bestow status on their investors. What I am fascinated by is that they both trade in Dead Data. I find no intellectual difference between a Supreme x John Woo collaboration as GAGOSIAN exhibiting Harmony Korine’s paintings. In each case the two of them are basing the products social influence and exchange value on established [Dead] [Data] information. Both are DOA. Each of the artists and brands chosen for the first exhibition STUPID and the second DROPS are attempting an impossible narrative, to raise dead informational bits. What I find Intellectually horrifying is the scale of the audience and the financial market for this morbid display. The culturally transgressive destroys established values. The works in STUPID and DROPS are intellectual crimes in that they present what has already lost all meaning and value and the propaganda creates an altogether false meta-value. The transgressive preserves creative innocence by exposing the inherent corruption of the status quo.
MARK EVEN x STEVE OKLYN
2021](https://scontent-cdt1-1.cdninstagram.com/v/t51.29350-15/196860070_809654653271496_8575323350180795315_n.jpg?_nc_cat=105&ccb=1-3&_nc_sid=8ae9d6&_nc_ohc=2kEA3TgIjMkAX9lNu_N&_nc_ht=scontent-cdt1-1.cdninstagram.com&edm=ANo9K5cEAAAA&oh=2a2d162f9a53af0d75d77814ef16c30f&oe=610BE809 "The intersection of persona, product, propaganda, and profit. In 2021 is the brand Supreme any different than the brand GAGOSIAN? No. They are both strategic entities focused on valuations, cultural and capital. Each bestow status on their investors. What I am fascinated by is that they both trade in Dead Data. I find no intellectual difference between a Supreme x John Woo collaboration as GAGOSIAN exhibiting Harmony Korine’s paintings. In each case the two of them are basing the products social influence and exchange value on established [Dead] [Data] information. Both are DOA. Each of the artists and brands chosen for the first exhibition STUPID and the second DROPS are attempting an impossible narrative, to raise dead informational bits. What I find Intellectually horrifying is the scale of the audience and the financial market for this morbid display. The culturally transgressive destroys established values. The works in STUPID and DROPS are intellectual crimes in that they present what has already lost all meaning and value and the propaganda creates an altogether false meta-value. The transgressive preserves creative innocence by exposing the inherent corruption of the status quo.
MARK EVEN x STEVE OKLYN
2021")
![Mark Even American artist
Born 2000 Mountain View, CA.
Mark Even was convicted of a cybercrime in 2015. He was sentenced to ten years to be served at a new Federal prison: BALSEC ONE specifically for cyber criminals. It is located in Steele City, Nebraska.
Mark has used his time to develop an algorithmic based [Code art also known as code generated experiments] creative practice. He refers to BALSEC ONE as his Marfa. The BLACK POWER series is his newest work.
Note: Mark has no access to a computer in prison. He writes down the instructions of the work which are given to his lawyer who gives those directions to a member of the MLF [Mark Lombardi Faction] who have assisted him on a number of projects. Mark is currently thinking of releasing the BLACK POWER works as individual NFTs.
STEVE OKLYN
443 Institute
Thimphu, Bhutan](https://scontent-cdt1-1.cdninstagram.com/v/t51.29350-15/172246940_241775834361086_412793993617799165_n.jpg?_nc_cat=110&ccb=1-3&_nc_sid=8ae9d6&_nc_ohc=xRytIoLI0egAX9ik3KR&_nc_ht=scontent-cdt1-1.cdninstagram.com&edm=ANo9K5cEAAAA&oh=c277afd8172d71ed11a5f14a6fada34f&oe=610CC735 "Mark Even American artist
Born 2000 Mountain View, CA.
Mark Even was convicted of a cybercrime in 2015. He was sentenced to ten years to be served at a new Federal prison: BALSEC ONE specifically for cyber criminals. It is located in Steele City, Nebraska.
Mark has used his time to develop an algorithmic based [Code art also known as code generated experiments] creative practice. He refers to BALSEC ONE as his Marfa. The BLACK POWER series is his newest work.
Note: Mark has no access to a computer in prison. He writes down the instructions of the work which are given to his lawyer who gives those directions to a member of the MLF [Mark Lombardi Faction] who have assisted him on a number of projects. Mark is currently thinking of releasing the BLACK POWER works as individual NFTs.
STEVE OKLYN
443 Institute
Thimphu, Bhutan")
