Cara Delevingne vend une vidéo NFT sur son vagin. « Mon premier mot a été « le mien ». Pour moi, cela signifie quelque chose qui est le plus à moi – mon vagin », a-t-elle déclaré dans la vidéo. « Il m’appartient. C’est le mien et celui de personne d’autre. » Elle a ajouté : « Je choisis ce que je fais avec. Et personne ne peut me l’enlever ».
Dans le clip, Delevingne couvre sa poitrine nue avec ses bras alors qu’elle se tient sans maquillage devant un coucher de soleil avec une plage en arrière-plan.
Un NFT, ou jeton non fongible, est une unité de données stockée sur un grand livre numérique appelé blockchain. Il enregistre les transactions et donne aux acheteurs une preuve de propriété.
Cara Delevingne a créé le film avec un artiste qui est connu pour créer des œuvres d’art à partir de pilules d’ecstasy, afin d’autonomiser les femmes.
« Je veux que cela rappelle aux gens à quel point ils sont incroyablement puissants, quelle belle chose est leur corps et qu’ils en soient fiers », a déclaré l’icône dans un communiqué de presse.
L’œuvre sera exposée pendant sept jours. Si une vente privée n’est pas convenue, le NFT sera vendu aux enchères au plus offrant le 13 mai.
Selon le communiqué, tous les bénéfices seront versés à la Fondation Cara Delevingne, qui soutient les droits des femmes, la communauté LGBTQ, la santé mentale et les causes environnementales.
Chemical X lance également quatre autres pièces NFT sur son site, ThisIsNumberOne.com, qui est la première plateforme NFT au monde à utiliser le bitcoin pour frapper l’art, selon le communiqué. Parmi les autres collaborateurs du projet figurent Fatboy Slim, Dave Stewart des Eurythmics et le duo britannique de musique électronique Orbital, ainsi qu’une œuvre solo de l’artiste.
Cara Delevingne n’est pas la première célébrité à utiliser les NFT pour s’approprier son corps.
Emily Ratajkowski a déclaré en avril qu’elle vendait un NFT d’elle-même se tenant devant une image de Richard Prince, qui a utilisé des posts Instagram publics d’Emily Ratajkowski, 29 ans, et d’autres personnes pour ses « Nouveaux Portraits » de 2014.
![Predictive Journalism [Magazines] @virgilabloh @wmag](https://scontent-cdg2-1.cdninstagram.com/v/t51.29350-15/209584973_2957777841155347_4545370530577311983_n.jpg?_nc_cat=111&ccb=1-5&_nc_sid=8ae9d6&_nc_ohc=1HiUsGd7uYMAX-Qk_zF&_nc_ht=scontent-cdg2-1.cdninstagram.com&edm=ANo9K5cEAAAA&oh=a6a1fcdaace4ccaf200c179d5e3f4847&oe=615286FF "Predictive Journalism [Magazines] @virgilabloh @wmag")
![The intersection of persona, product, propaganda, and profit. In 2021 is the brand Supreme any different than the brand GAGOSIAN? No. They are both strategic entities focused on valuations, cultural and capital. Each bestow status on their investors. What I am fascinated by is that they both trade in Dead Data. I find no intellectual difference between a Supreme x John Woo collaboration as GAGOSIAN exhibiting Harmony Korine’s paintings. In each case the two of them are basing the products social influence and exchange value on established [Dead] [Data] information. Both are DOA. Each of the artists and brands chosen for the first exhibition STUPID and the second DROPS are attempting an impossible narrative, to raise dead informational bits. What I find Intellectually horrifying is the scale of the audience and the financial market for this morbid display. The culturally transgressive destroys established values. The works in STUPID and DROPS are intellectual crimes in that they present what has already lost all meaning and value and the propaganda creates an altogether false meta-value. The transgressive preserves creative innocence by exposing the inherent corruption of the status quo.
MARK EVEN x STEVE OKLYN
2021](https://scontent-cdt1-1.cdninstagram.com/v/t51.29350-15/196860070_809654653271496_8575323350180795315_n.jpg?_nc_cat=105&ccb=1-5&_nc_sid=8ae9d6&_nc_ohc=E-hW2SYA5ncAX8ehmCB&_nc_ht=scontent-cdt1-1.cdninstagram.com&edm=ANo9K5cEAAAA&oh=149b432fd396ed17bcc578354a9fc415&oe=61531909 "The intersection of persona, product, propaganda, and profit. In 2021 is the brand Supreme any different than the brand GAGOSIAN? No. They are both strategic entities focused on valuations, cultural and capital. Each bestow status on their investors. What I am fascinated by is that they both trade in Dead Data. I find no intellectual difference between a Supreme x John Woo collaboration as GAGOSIAN exhibiting Harmony Korine’s paintings. In each case the two of them are basing the products social influence and exchange value on established [Dead] [Data] information. Both are DOA. Each of the artists and brands chosen for the first exhibition STUPID and the second DROPS are attempting an impossible narrative, to raise dead informational bits. What I find Intellectually horrifying is the scale of the audience and the financial market for this morbid display. The culturally transgressive destroys established values. The works in STUPID and DROPS are intellectual crimes in that they present what has already lost all meaning and value and the propaganda creates an altogether false meta-value. The transgressive preserves creative innocence by exposing the inherent corruption of the status quo.
MARK EVEN x STEVE OKLYN
2021")
![Mark Even American artist
Born 2000 Mountain View, CA.
Mark Even was convicted of a cybercrime in 2015. He was sentenced to ten years to be served at a new Federal prison: BALSEC ONE specifically for cyber criminals. It is located in Steele City, Nebraska.
Mark has used his time to develop an algorithmic based [Code art also known as code generated experiments] creative practice. He refers to BALSEC ONE as his Marfa. The BLACK POWER series is his newest work.
Note: Mark has no access to a computer in prison. He writes down the instructions of the work which are given to his lawyer who gives those directions to a member of the MLF [Mark Lombardi Faction] who have assisted him on a number of projects. Mark is currently thinking of releasing the BLACK POWER works as individual NFTs.
STEVE OKLYN
443 Institute
Thimphu, Bhutan](https://scontent-cdt1-1.cdninstagram.com/v/t51.29350-15/172246940_241775834361086_412793993617799165_n.jpg?_nc_cat=110&ccb=1-5&_nc_sid=8ae9d6&_nc_ohc=IZtXajEs73MAX_bk5-H&_nc_ht=scontent-cdt1-1.cdninstagram.com&edm=ANo9K5cEAAAA&oh=1295af904089a36890b92d7e8584ed19&oe=6153F835 "Mark Even American artist
Born 2000 Mountain View, CA.
Mark Even was convicted of a cybercrime in 2015. He was sentenced to ten years to be served at a new Federal prison: BALSEC ONE specifically for cyber criminals. It is located in Steele City, Nebraska.
Mark has used his time to develop an algorithmic based [Code art also known as code generated experiments] creative practice. He refers to BALSEC ONE as his Marfa. The BLACK POWER series is his newest work.
Note: Mark has no access to a computer in prison. He writes down the instructions of the work which are given to his lawyer who gives those directions to a member of the MLF [Mark Lombardi Faction] who have assisted him on a number of projects. Mark is currently thinking of releasing the BLACK POWER works as individual NFTs.
STEVE OKLYN
443 Institute
Thimphu, Bhutan")
