Mashrou Leila – Cavalry (produit par Phantasm + Clandestino + Caviar)
Directed by: Jessy Moussallem
Produced by:
Wissam Smayra – Clandestino
Marlene Jaber – Clandestino
Olivier Muller – Phantasm
Sorcha Shepherd – Caviar
Jakob Preischl – BWGTBLD
Hady Dahrouj – Mathematic
Cinematography: Sofian El Fani
Editing: Tianès Montasser
Color Grading: Mathieu Caplanne
Sound Engineer: Rawad Hobeika
Woodkid – Goliath (produit par Iconoclast)
Directed by Yoann Lemoine
Featuring Gregory Givernaud
Cinematography by Kasper Tuxen
Produced by Iconoclast
Executive producer : Horace de Gunzbourg
Line producer : Evan Djenki
Assistant director : Antoine Poulet
2nd Assistant director : David Jancar
Production assistant : Ronan Querrec
Styling : Nick Royal
Styling assistant : Alicia Rodriguez
Production designer : Henry Boraros
Casting : Nohmad
Service production : Unit Sofa (Czech Republic)
Producer : Filip Hejduk
Line producer : Tomás Smrček
Production manager : Robert Zapletal
Production coordinator : Anna Fojtíková
Location manager : Michal Rossler
Uwa – PONGO (produit par SOLAB)
Production Company: SOLAB
Client: Caroline International (Record label)
Director : Lou Escobar
Producer: Arthur Parratte
Director of Photography: Deepa Keshvala & Michael Cleary
Editor: Jon Echeveste
Travis Scott – WAKE UP (produit par Excuse My French/Smuggler)
You Boy – Arigato Massaï ft Yanis (produit par Soldats Films)
Réalisé par JULIETTE LABROUSSE & SONIA GUITZ
Productrice : CHARLOTTE GIRAL
Directeur de production : THOMAS DUCHENE
1er assistant réalisateur : JONATHAN SCHUPAK
Régisseur : LEWIS FLEURY
Catering : GUY DEUX-FOIS
Montage : RÉMI MUZZUPAPA
Étalonnage : JULIEN BLANCHE
Chef opérateur : DAVID MOERMAN
Assistante caméra : KATIA HAMNANE
Électro : EMILE CADIERGUE
Électro : SONIA EUSEBIO
Steadicamer : GRÉGOIRE LOBUT
Déco : AXEL DAGNAS
Stylisme : CAROLINE DUSSUEL
Pink Noise – Too Hot (produit par Phantasm)
Director : Kim Chapiron
Actors : Tina Kunakey / Molly Constable / Paolo Calia
Produced by : Phantasm / Mathematic / Arrogant Music
Producer : Olivier Muller
Line Producer : Bachir Arfaoui
DOP : Benoit Soler
2nd Unit Director : Mohamed Mazouz
2nd Unit DOP : Antony Diaz
Steadicam : Rémi Quilichini
Drone Operator : Thierry Masson & Timothée Talendier
Set Designer : Arnaud Roth
Stylist : Liate Cohen
Editor : Benjamin Weill
Colorist : Arthur Paux
Logo Designer : Un sdf anonyme
Myd – Together We Stand (produit par Inconoclast)
Directed by Alice Moitié
Production company: Iconoclast
DOP: Cezary Zacharewicz
Exec Producer: Jules Dieng
Line producer: Remi Farkas
Service Production Co. (L.A): TRiKON
Editors and Fx: Sophie Reine and ICE CREAM
Post-Prod: POSTER
Choregrapher : Caroline Bouquet
Assistant Choreographer : Soleila Chaou Costa
Putain de salaire – KEKRA (produit par SOLAB)
Réalisé par Romain Chassaing
Produit par Solab & VRL
Co-produit par Firm, Bold, Eastness & The
Compositeur : Swav Beats
Directeur de la photographie : Rik Zang
Producteurs : Edouard Chassaing & Arthur Parratte
Directrice de production : Jeab ‘Piyaporn Indageha’
Chef décorateur : ‘King’ Prawit Supo
Styliste : ‘Lynn’ Preeyanan Suwannathada
Montage : Manuel Coutant
Étalonnage : Muriel Archambaud
Post-production & 3D : Firm
Superviseurs VFX : Jonathan Lagache & Benoit Revilliod
Call of the Wild – Agoria feat STS – None (produit par Soldats Film)
Music video Directed by Loïc Andrieu
Music by AGORIA (ft. STS) performing « CALL OF THE WILD »
Production company: SOLDATS FILMS
Director: Loïc Andrieu
Producer: Pierre Cazenave-Kaufman (Soldats Films)
Director of photography: Simon Chaudoir
Editor: Naza Giral (Soldats Films)
Colorist: Mathieu Caplanne
Art Director: Loïc Andrieu
Los Angeles Producer Gaetan Rousseau (Paradoxal inc)
Re-Recording Mixer: Christophe Leroy
VFX House: REEPOST
Starring Fleur Geffrier, Carl Crupud, Sean Roc Smith, Ron Guilbert, Christianno Chavez, Sam Ingraffia
Label: Sapiens
Video commissioner: Christian De Rosnay
Development manager: Juliette Labrousse
Sound facilities: YELLOW CAB STUDIOS
Brodinski – Ratchet (produit par Phantasm)
Directed by NDVD (Nicolas Davenel & Vanessa Dumont)
Production: Phantasm
Producer: Anthony Bargis
Line producer: Pierre Signoret
1st assistant: Paul Jolliot
2nd assistant: Lou Girardot
Post-production: Nightshift
Post-producer: Clémence Cornac
![#RIP #virgilabloh
#RIP #steveoklyn
-
VOGUE Lagos Premiere Issue [STEVE OKLYN: Predictive Journalism]](https://scontent-cdt1-1.cdninstagram.com/v/t51.29350-15/261746985_483493786322971_1751114709920530266_n.jpg?_nc_cat=105&ccb=1-5&_nc_sid=8ae9d6&_nc_ohc=BtISukq3R3kAX_3sdve&_nc_ht=scontent-cdt1-1.cdninstagram.com&edm=ANo9K5cEAAAA&oh=8d1bfb4dbcb6e005badbfad1ca087f5f&oe=61A82501 "#RIP #virgilabloh
#RIP #steveoklyn
-
VOGUE Lagos Premiere Issue [STEVE OKLYN: Predictive Journalism]")
![Predictive Journalism [Magazines] @virgilabloh @wmag](https://scontent-cdg2-1.cdninstagram.com/v/t51.29350-15/209584973_2957777841155347_4545370530577311983_n.jpg?_nc_cat=111&ccb=1-5&_nc_sid=8ae9d6&_nc_ohc=y75fgP3ywMAAX8YeFHN&_nc_ht=scontent-cdg2-1.cdninstagram.com&edm=ANo9K5cEAAAA&oh=b55c7ca37878e1e69b7c620ecdbe3673&oe=61A989FF "Predictive Journalism [Magazines] @virgilabloh @wmag")
![The intersection of persona, product, propaganda, and profit. In 2021 is the brand Supreme any different than the brand GAGOSIAN? No. They are both strategic entities focused on valuations, cultural and capital. Each bestow status on their investors. What I am fascinated by is that they both trade in Dead Data. I find no intellectual difference between a Supreme x John Woo collaboration as GAGOSIAN exhibiting Harmony Korine’s paintings. In each case the two of them are basing the products social influence and exchange value on established [Dead] [Data] information. Both are DOA. Each of the artists and brands chosen for the first exhibition STUPID and the second DROPS are attempting an impossible narrative, to raise dead informational bits. What I find Intellectually horrifying is the scale of the audience and the financial market for this morbid display. The culturally transgressive destroys established values. The works in STUPID and DROPS are intellectual crimes in that they present what has already lost all meaning and value and the propaganda creates an altogether false meta-value. The transgressive preserves creative innocence by exposing the inherent corruption of the status quo.
MARK EVEN x STEVE OKLYN
2021](https://scontent-cdt1-1.cdninstagram.com/v/t51.29350-15/196860070_809654653271496_8575323350180795315_n.jpg?_nc_cat=105&ccb=1-5&_nc_sid=8ae9d6&_nc_ohc=hDS_B0u-L1MAX_PMyMe&_nc_ht=scontent-cdt1-1.cdninstagram.com&edm=ANo9K5cEAAAA&oh=d44c93ae058e2d4de24fd70057600b83&oe=61A821C9 "The intersection of persona, product, propaganda, and profit. In 2021 is the brand Supreme any different than the brand GAGOSIAN? No. They are both strategic entities focused on valuations, cultural and capital. Each bestow status on their investors. What I am fascinated by is that they both trade in Dead Data. I find no intellectual difference between a Supreme x John Woo collaboration as GAGOSIAN exhibiting Harmony Korine’s paintings. In each case the two of them are basing the products social influence and exchange value on established [Dead] [Data] information. Both are DOA. Each of the artists and brands chosen for the first exhibition STUPID and the second DROPS are attempting an impossible narrative, to raise dead informational bits. What I find Intellectually horrifying is the scale of the audience and the financial market for this morbid display. The culturally transgressive destroys established values. The works in STUPID and DROPS are intellectual crimes in that they present what has already lost all meaning and value and the propaganda creates an altogether false meta-value. The transgressive preserves creative innocence by exposing the inherent corruption of the status quo.
MARK EVEN x STEVE OKLYN
2021")
![Mark Even American artist
Born 2000 Mountain View, CA.
Mark Even was convicted of a cybercrime in 2015. He was sentenced to ten years to be served at a new Federal prison: BALSEC ONE specifically for cyber criminals. It is located in Steele City, Nebraska.
Mark has used his time to develop an algorithmic based [Code art also known as code generated experiments] creative practice. He refers to BALSEC ONE as his Marfa. The BLACK POWER series is his newest work.
Note: Mark has no access to a computer in prison. He writes down the instructions of the work which are given to his lawyer who gives those directions to a member of the MLF [Mark Lombardi Faction] who have assisted him on a number of projects. Mark is currently thinking of releasing the BLACK POWER works as individual NFTs.
STEVE OKLYN
443 Institute
Thimphu, Bhutan](https://scontent-cdt1-1.cdninstagram.com/v/t51.29350-15/172246940_241775834361086_412793993617799165_n.jpg?_nc_cat=110&ccb=1-5&_nc_sid=8ae9d6&_nc_ohc=B5J4d6ZYDEsAX9sPg5i&_nc_ht=scontent-cdt1-1.cdninstagram.com&edm=ANo9K5cEAAAA&oh=de978e5b5cf17b9d44c1952a941944c1&oe=61A900F5 "Mark Even American artist
Born 2000 Mountain View, CA.
Mark Even was convicted of a cybercrime in 2015. He was sentenced to ten years to be served at a new Federal prison: BALSEC ONE specifically for cyber criminals. It is located in Steele City, Nebraska.
Mark has used his time to develop an algorithmic based [Code art also known as code generated experiments] creative practice. He refers to BALSEC ONE as his Marfa. The BLACK POWER series is his newest work.
Note: Mark has no access to a computer in prison. He writes down the instructions of the work which are given to his lawyer who gives those directions to a member of the MLF [Mark Lombardi Faction] who have assisted him on a number of projects. Mark is currently thinking of releasing the BLACK POWER works as individual NFTs.
STEVE OKLYN
443 Institute
Thimphu, Bhutan")
