La Ve République vacille, et l’Élysée tremble. Pavel Durov, le sulfureux patron de Telegram, a décidé de jouer les pyromanes dans le pré carré de la Macronie, et il ne fait pas dans la dentelle.
Le procès de Sean "Diddy" Combs, qui secoue New York en ce mois de mai 2025, est une plongée dans l’horreur, révélant un prédateur qui a bâti un empire de terreur et d’abus sexuels derrière les strass et les projecteurs.
En ce 24 mai 2025, nous nous tenons à un carrefour critique de l’histoire de la France. Les récentes révélations sur l’influence de la Franc-Maçonnerie dans l’État et la justice, culminant avec l’affaire de la loge Athanor, nous contraignent à une prise de conscience collective.
NOT VOGUE perceives FASHIONWORLD’s contracted designers, their contracted photographers, their contracted models, their contracted celebrities, their contracted bloggers as a single hive-minded and organized conspiratorial act. NOT VOGUE takes the view that FASHIONWORLD’s propaganda structure, strategy, and objectives are pathological in nature.
Their narrative and their physical global network of boutiques are organized strategically to support their various corporate directives: COMMANDS. The macro system connects all the narrative pathways within the advertising campaigns [military terminology], the society pages and, finally in the fashion pages of the international editions of VOGUE. The grand narrative [propaganda] is presented as inspired and inspirational [natural] fashion history.
There is nothing inspirational and nothing natural about any of this staged grand fashion narrative. It’s a fabricated society and spectacle. Their history is not history. It’s a highly organized, bureaucratic, and fictional corporate directive disguised as an intuitive creative process.
It is presented as culture. Note: the Arnaults, Pinaults, and Pradas are also involved in actively controlling the contemporary art world’s message and stratification of societal influence. Nothing is farther from the discernible truth. To be brutally confrontational it is all FASHION-INDUSTRIAL COMPLEX BRAINWASHING.
The individual has one very powerful personal defense mechanism against this assault on their identity. That weapon is INDIFFERENCE. So poetic. So effective. They need you. You do not need them.
Your life, your personal journey to reveal and define your identity is more important than their narrative by 100 fold. Our era does not need more narratives. Our era needs better tools.
NOT VOGUE has a phrase to describe this unique chapter in VOGUE’s last 25 years of Fashionspeak : THE SILVER ERA. The entire VOGUE editorial and promotional enterprise is as real and glamorous as one of Andy Warhol’s wigs.
Steve Oklyn chooses to found his O K L Y N on thought, intellectual, and democratic. O K L Y N is a reflection, it is contradictory, it is a warning (above all). O K L Y N is not a brand but a series
L'avenir appartient à ceux qui détruisent les codes pour mieux les recréer. Infiltrez notre réseau de penseurs, créatifs et visionnaires qui transforment la culture du 21e siècle. Ici, la fantaisie devient réalité et tout est culture en devenir.