EVERYTHING HAPPENED. NEXT.
Author: OKLYN s/O Systems Date: 3-3-2017 + NOSTALGIA: FUCK NOSTALGIA. 99% YOUTH
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COOL IS OUR ANTIQUITY [99% YOUTH]
FUCK THEM ALL is a strategic campaign to present a message that we predict will alter people’s perception of their...
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[OUT WITH THE OLD] 99% YOUTH
FUCK THEM ALL is a strategic campaign to present a message that we predict will alter people’s perception of their...
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[AUJOURD’HUI COLETTE, DEMAIN DOVER STREET MARKET] 99% YOUTH
Pour sortir la tête de l’eau, COLETTE a ce matin envoyé une newsletter en partenariat avec UBER pour mettre en...
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THE FRIEND BAR : ARNAQUE PASSÉISTE
Il est étrange de lire un édito sur un lieu qui n'a pas encore été inauguré. Mais l'ouverture prochaine de...
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[FUCK NOSTALGIA] 99% YOUTH
THE FRIEND BAR Los Angeles 2017: Andre Saraiva with additional decor by artist Kenny Scharf ANALYSIS : A...
Une nouvelle génération de « filles et fils de » envahissent le monde culturel
La banque JP Morgan Chase doit verser 264 millions de dollars pour régler avec l’autorité bancaire américaine le conflit résultant...
Septembre 2016
La prédiction de Steve Oklyn est arrivée à pleine maturité. Il a prédit la défaite de Condé Nast par la...
BATTLESTATION & APOCALYPSE
A l’heure où la Silicon Valley est en train d’avaler la totalité du monde de la mode, où les nouveaux...
Bloc de l’Est ou le nihilisme de la richesse et du temps libre
Le Monde de la Mode vient de subir un assaut total par un BLOC SOVIÉTIQUE. Les membres de cette faction...
EDITOR'S CHOICE
APAR.TV wants to experience what is the most progressive ideas, people, and projects that are happening now and that can guide us towards the future.
![#RIP #virgilabloh
#RIP #steveoklyn
-
VOGUE Lagos Premiere Issue [STEVE OKLYN: Predictive Journalism]](https://scontent-cdt1-1.cdninstagram.com/v/t51.29350-15/261746985_483493786322971_1751114709920530266_n.jpg?_nc_cat=105&ccb=1-5&_nc_sid=8ae9d6&_nc_ohc=BtISukq3R3kAX_3sdve&_nc_ht=scontent-cdt1-1.cdninstagram.com&edm=ANo9K5cEAAAA&oh=8d1bfb4dbcb6e005badbfad1ca087f5f&oe=61A82501 "#RIP #virgilabloh
#RIP #steveoklyn
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VOGUE Lagos Premiere Issue [STEVE OKLYN: Predictive Journalism]")
![Predictive Journalism [Magazines] @virgilabloh @wmag](https://scontent-cdg2-1.cdninstagram.com/v/t51.29350-15/209584973_2957777841155347_4545370530577311983_n.jpg?_nc_cat=111&ccb=1-5&_nc_sid=8ae9d6&_nc_ohc=y75fgP3ywMAAX8YeFHN&_nc_ht=scontent-cdg2-1.cdninstagram.com&edm=ANo9K5cEAAAA&oh=b55c7ca37878e1e69b7c620ecdbe3673&oe=61A989FF "Predictive Journalism [Magazines] @virgilabloh @wmag")
![The intersection of persona, product, propaganda, and profit. In 2021 is the brand Supreme any different than the brand GAGOSIAN? No. They are both strategic entities focused on valuations, cultural and capital. Each bestow status on their investors. What I am fascinated by is that they both trade in Dead Data. I find no intellectual difference between a Supreme x John Woo collaboration as GAGOSIAN exhibiting Harmony Korine’s paintings. In each case the two of them are basing the products social influence and exchange value on established [Dead] [Data] information. Both are DOA. Each of the artists and brands chosen for the first exhibition STUPID and the second DROPS are attempting an impossible narrative, to raise dead informational bits. What I find Intellectually horrifying is the scale of the audience and the financial market for this morbid display. The culturally transgressive destroys established values. The works in STUPID and DROPS are intellectual crimes in that they present what has already lost all meaning and value and the propaganda creates an altogether false meta-value. The transgressive preserves creative innocence by exposing the inherent corruption of the status quo.
MARK EVEN x STEVE OKLYN
2021](https://scontent-cdt1-1.cdninstagram.com/v/t51.29350-15/196860070_809654653271496_8575323350180795315_n.jpg?_nc_cat=105&ccb=1-5&_nc_sid=8ae9d6&_nc_ohc=hDS_B0u-L1MAX_PMyMe&_nc_ht=scontent-cdt1-1.cdninstagram.com&edm=ANo9K5cEAAAA&oh=d44c93ae058e2d4de24fd70057600b83&oe=61A821C9 "The intersection of persona, product, propaganda, and profit. In 2021 is the brand Supreme any different than the brand GAGOSIAN? No. They are both strategic entities focused on valuations, cultural and capital. Each bestow status on their investors. What I am fascinated by is that they both trade in Dead Data. I find no intellectual difference between a Supreme x John Woo collaboration as GAGOSIAN exhibiting Harmony Korine’s paintings. In each case the two of them are basing the products social influence and exchange value on established [Dead] [Data] information. Both are DOA. Each of the artists and brands chosen for the first exhibition STUPID and the second DROPS are attempting an impossible narrative, to raise dead informational bits. What I find Intellectually horrifying is the scale of the audience and the financial market for this morbid display. The culturally transgressive destroys established values. The works in STUPID and DROPS are intellectual crimes in that they present what has already lost all meaning and value and the propaganda creates an altogether false meta-value. The transgressive preserves creative innocence by exposing the inherent corruption of the status quo.
MARK EVEN x STEVE OKLYN
2021")
![Mark Even American artist
Born 2000 Mountain View, CA.
Mark Even was convicted of a cybercrime in 2015. He was sentenced to ten years to be served at a new Federal prison: BALSEC ONE specifically for cyber criminals. It is located in Steele City, Nebraska.
Mark has used his time to develop an algorithmic based [Code art also known as code generated experiments] creative practice. He refers to BALSEC ONE as his Marfa. The BLACK POWER series is his newest work.
Note: Mark has no access to a computer in prison. He writes down the instructions of the work which are given to his lawyer who gives those directions to a member of the MLF [Mark Lombardi Faction] who have assisted him on a number of projects. Mark is currently thinking of releasing the BLACK POWER works as individual NFTs.
STEVE OKLYN
443 Institute
Thimphu, Bhutan](https://scontent-cdt1-1.cdninstagram.com/v/t51.29350-15/172246940_241775834361086_412793993617799165_n.jpg?_nc_cat=110&ccb=1-5&_nc_sid=8ae9d6&_nc_ohc=B5J4d6ZYDEsAX9sPg5i&_nc_ht=scontent-cdt1-1.cdninstagram.com&edm=ANo9K5cEAAAA&oh=de978e5b5cf17b9d44c1952a941944c1&oe=61A900F5 "Mark Even American artist
Born 2000 Mountain View, CA.
Mark Even was convicted of a cybercrime in 2015. He was sentenced to ten years to be served at a new Federal prison: BALSEC ONE specifically for cyber criminals. It is located in Steele City, Nebraska.
Mark has used his time to develop an algorithmic based [Code art also known as code generated experiments] creative practice. He refers to BALSEC ONE as his Marfa. The BLACK POWER series is his newest work.
Note: Mark has no access to a computer in prison. He writes down the instructions of the work which are given to his lawyer who gives those directions to a member of the MLF [Mark Lombardi Faction] who have assisted him on a number of projects. Mark is currently thinking of releasing the BLACK POWER works as individual NFTs.
STEVE OKLYN
443 Institute
Thimphu, Bhutan")
