Moving forward the one question we all must ask ourselves is this: HAS VISIBILITY PERMANENTLY REPLACED MEANING? If we are within the borders of FASHIONWORLD the answer is yes. All one has to do is watch once what I will refer to as EXHIBIT #100 and the total lack of talent on the part of Bella Hadid is excruciatingly on display.
LOVE Magazine guided by Katie Grand has become ground zero for the advocacy of a new era of counterrevolutionary cultural engineering. Here is a list of cultural puppets synthetically created by Conde Nast and their societal saboteurs. Kendall Jenner, Kylie Jenner, Gigi Hadid, Bella Hadid, Lottie Moss and Lily-Rose Depp.
In this universe model means cultural engineering of the most insidious order. The six pathogens listed are a virulent form of cultural cancer. They have a specific target which are millions of young women’s not yet formed and highly impressionable minds. The speed at which this cultural decay can be factually determined is by counting the number of Instagram followers starting with Kendall Jenner [48.3 m] + Kylie Jenner [45.1m] + Gigi Hadid [10.1m] + Bella Hadid [1.9m] + Lottie Moss [33.4K] + Lily-Rose Depp [1.1m] for a total of 106,533,400 mind-fucked societal zombies.
Everyday this cancer attacking young girls is getting stronger and resistant to any non-cancerous cultural information. In 2016 the 106 million minds affected will probably reach a minimum of 200 million lost youth. The living dead including Anna Wintour, Karl Lagerfeld, Mario Testino and Katie Grand are determined to suck the life out of hundreds of millions emerging youth in a quest to keep themselves in the delusion of relevance. Anna, Karl, Mario and Katie became irrelevant at 12:01AM on January 1, 2000. Using the Newhouse’s crumbling infrastructure they have attempted to stay influential with disastrous results. Their authority died in the twentieth century and nothing can change that fact.

December 16, 2015
Haiku Farms
Haiku, Maui, Hawaii

Publié le 16/12/2015