WEB
Le berger du 21e siècle n’est plus un homme mais un chien robot
Rocos a annoncé son partenariat avec Boston Dynamics pour étudier comment son chien robot pourrait aider dans les fermes du...
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Konbini, le média de la compagnie pétrolière Perenco, ne cesse de s’effondrer (économiquement et moralement)
Le magazine Capital vient de publier que "la plateforme numérique dédiée aux jeunes a demandé au tribunal de commerce de...
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“La Dernière Prophétie”, le monde d’après vu par Romain Demongeot
Après s’être fait remarquer avec ses deux premiers courts métrages “Love 2062”, un film d’anticipation autour de la pollution et...
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La data est le nouveau (et le dernier) média
Le storytelling de données, le journalisme de données et même la fiction de données - depuis l'avènement du Big Data,...
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La bande-passante a remplacé les boulevards et les frontières
A l'heure où toutes les capitales du monde occidental s'effondrent et où plus de 3 milliards de personnes jouent aux...
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La communauté créative mondiale doit être en état d’alerte : les marques risquent de pouvoir légalement partager vos photos Instagram
Volvo a déposé une requête en justice cette semaine affirmant que le constructeur automobile peut utiliser ou partager à nouveau...
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Le nombre de bits numériques dépassera le nombre d’atomes sur Terre d’ici 150 ans, le monde devenant principalement simulé par ordinateur d’ici 2170
Le nombre de bits numériques dépassera le nombre d'atomes sur Terre d'ici 150 ans, selon une nouvelle étude qui met...
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Salman Rushdie avertit que la « cancel culture » est une menace pour la littérature et la liberté d’expression
Il a déclaré qu'il ne pouvait pas accepter qu'il y ait des domaines dans lesquels la censure est acceptable. L'auteur...
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Top 5 des théories du complot…ou pas
Aujourd'hui, près de 8 Français sur 10 croient à au moins une théorie du complot, d’après une étude de l’IFOP...
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Des experts en IA publient une fausse vidéo de Richard Nixon annonçant l’échec de l’atterrissage sur la lune d’Apollo 11
Qu'est-ce qui est réel au 21e siècle ? Et qu'est-ce qui est fiction ? Quand on regarde la dernière création...
Read moreEDITOR'S CHOICE
APAR.TV wants to experience what is the most progressive ideas, people, and projects that are happening now and that can guide us towards the future.
![Predictive Journalism [Magazines] @virgilabloh @wmag](https://scontent-cdg2-1.cdninstagram.com/v/t51.29350-15/209584973_2957777841155347_4545370530577311983_n.jpg?_nc_cat=111&ccb=1-5&_nc_sid=8ae9d6&_nc_ohc=tcRePr_L2N4AX9OQ0T3&_nc_ht=scontent-cdg2-1.cdninstagram.com&edm=ANo9K5cEAAAA&oh=1a85fdca505404c0d49c31aa74aea9e2&oe=616E367F "Predictive Journalism [Magazines] @virgilabloh @wmag")
![The intersection of persona, product, propaganda, and profit. In 2021 is the brand Supreme any different than the brand GAGOSIAN? No. They are both strategic entities focused on valuations, cultural and capital. Each bestow status on their investors. What I am fascinated by is that they both trade in Dead Data. I find no intellectual difference between a Supreme x John Woo collaboration as GAGOSIAN exhibiting Harmony Korine’s paintings. In each case the two of them are basing the products social influence and exchange value on established [Dead] [Data] information. Both are DOA. Each of the artists and brands chosen for the first exhibition STUPID and the second DROPS are attempting an impossible narrative, to raise dead informational bits. What I find Intellectually horrifying is the scale of the audience and the financial market for this morbid display. The culturally transgressive destroys established values. The works in STUPID and DROPS are intellectual crimes in that they present what has already lost all meaning and value and the propaganda creates an altogether false meta-value. The transgressive preserves creative innocence by exposing the inherent corruption of the status quo.
MARK EVEN x STEVE OKLYN
2021](https://scontent-cdt1-1.cdninstagram.com/v/t51.29350-15/196860070_809654653271496_8575323350180795315_n.jpg?_nc_cat=105&ccb=1-5&_nc_sid=8ae9d6&_nc_ohc=vTxo9sIcXKoAX9hx_qt&_nc_ht=scontent-cdt1-1.cdninstagram.com&edm=ANo9K5cEAAAA&oh=49f4362bfd5b774cd8bd8725423937c4&oe=616EC889 "The intersection of persona, product, propaganda, and profit. In 2021 is the brand Supreme any different than the brand GAGOSIAN? No. They are both strategic entities focused on valuations, cultural and capital. Each bestow status on their investors. What I am fascinated by is that they both trade in Dead Data. I find no intellectual difference between a Supreme x John Woo collaboration as GAGOSIAN exhibiting Harmony Korine’s paintings. In each case the two of them are basing the products social influence and exchange value on established [Dead] [Data] information. Both are DOA. Each of the artists and brands chosen for the first exhibition STUPID and the second DROPS are attempting an impossible narrative, to raise dead informational bits. What I find Intellectually horrifying is the scale of the audience and the financial market for this morbid display. The culturally transgressive destroys established values. The works in STUPID and DROPS are intellectual crimes in that they present what has already lost all meaning and value and the propaganda creates an altogether false meta-value. The transgressive preserves creative innocence by exposing the inherent corruption of the status quo.
MARK EVEN x STEVE OKLYN
2021")
![Mark Even American artist
Born 2000 Mountain View, CA.
Mark Even was convicted of a cybercrime in 2015. He was sentenced to ten years to be served at a new Federal prison: BALSEC ONE specifically for cyber criminals. It is located in Steele City, Nebraska.
Mark has used his time to develop an algorithmic based [Code art also known as code generated experiments] creative practice. He refers to BALSEC ONE as his Marfa. The BLACK POWER series is his newest work.
Note: Mark has no access to a computer in prison. He writes down the instructions of the work which are given to his lawyer who gives those directions to a member of the MLF [Mark Lombardi Faction] who have assisted him on a number of projects. Mark is currently thinking of releasing the BLACK POWER works as individual NFTs.
STEVE OKLYN
443 Institute
Thimphu, Bhutan](https://scontent-cdt1-1.cdninstagram.com/v/t51.29350-15/172246940_241775834361086_412793993617799165_n.jpg?_nc_cat=110&ccb=1-5&_nc_sid=8ae9d6&_nc_ohc=NsdBJGeJdKAAX9xoVs-&_nc_ht=scontent-cdt1-1.cdninstagram.com&edm=ANo9K5cEAAAA&oh=bad74dc95a374a1a3a389075b9ada30e&oe=616FA7B5 "Mark Even American artist
Born 2000 Mountain View, CA.
Mark Even was convicted of a cybercrime in 2015. He was sentenced to ten years to be served at a new Federal prison: BALSEC ONE specifically for cyber criminals. It is located in Steele City, Nebraska.
Mark has used his time to develop an algorithmic based [Code art also known as code generated experiments] creative practice. He refers to BALSEC ONE as his Marfa. The BLACK POWER series is his newest work.
Note: Mark has no access to a computer in prison. He writes down the instructions of the work which are given to his lawyer who gives those directions to a member of the MLF [Mark Lombardi Faction] who have assisted him on a number of projects. Mark is currently thinking of releasing the BLACK POWER works as individual NFTs.
STEVE OKLYN
443 Institute
Thimphu, Bhutan")
