Instagram vient juste de lancer une nouvelle fonctionnalité de vidéo courte appelée Instagram Reels. C’est essentiellement la réponse d’IG à TikTok – et il n’a pas fallu longtemps aux escrocs pour commencer à vendre de fausses vues.
Selon Business Insider, un gestionnaire de botnet qui gère plus de 500000 comptes Instagram – a déjà reçu des commandes de 80 personnes pour 11 millions de vues au total sur Reels. En utilisant des applications cryptées comme Telegram pour faire des affaires, il facture 5 $ pour 1000 vues sur Reels pour un maximum de 500000 vues et 15 $ pour 1000 likes – payés en Bitcoin.
Il a refusé de dire combien d’argent ils gagnaient grâce à ces transactions, mais a soutenu que c’était «suffisant pour une bonne voiture et une maison décente». Vous pouvez faire le calcul par vous-même.
Comptant un certain nombre d’influenceurs avec d’importants follower en tant que clients, il affirme que le plus grand influenceur à demander de l’aide avec Instagram Reels a jusqu’à présent plus de 1,5 million d’abonnés sur l’application, rapporte Business Insider .
D’autres sites Web ont également vu le jour, offrant 100 likes pour seulement 75 cents.
Répondant à la nouvelle, un porte-parole de Facebook a déclaré: «Les activités non authentiques sont mauvaises pour la communauté et depuis les débuts d’Instagram, nous avons investi dans des moyens d’identifier et de supprimer des millions de faux comptes ou de spam. Nous continuerons à nous appuyer sur ces technologies pour maintenir la meilleure expérience possible sur nos plates-formes. »
Le lancement de Reels le 5 août fait suite à des informations selon lesquelles Donald Trump aurait annoncé son intention d’interdire TikTok en Amérique . Semblable à TikTok, la fonction intégrée à l’application permet aux créateurs de publier des vidéos d’une durée maximale de 15 secondes, avec la possibilité d’ajouter de la musique de fond et des filtres à la vidéo. Les créateurs peuvent également utiliser les filtres AR intégrés à l’application d’Instagram pour modifier les images.
L’Inde a déjà interdit TikTok depuis le début du mois de juillet, dans le cadre d’une interdiction générale de 59 applications pour smartphone qui incluaient également la populaire application de messagerie WeChat. Les législateurs japonais font actuellement aussi pression pour interdire l’application, tandis que les politiciens australiens envisagent des mesures similaires.
![Predictive Journalism [Magazines] @virgilabloh @wmag](https://scontent-cdg2-1.cdninstagram.com/v/t51.29350-15/209584973_2957777841155347_4545370530577311983_n.jpg?_nc_cat=111&ccb=1-5&_nc_sid=8ae9d6&_nc_ohc=zzvw2Q977pMAX9z0T0E&_nc_ht=scontent-cdg2-1.cdninstagram.com&edm=ANo9K5cEAAAA&oh=5e5da42eb1deb5a3c44f004986c86793&oe=616E367F "Predictive Journalism [Magazines] @virgilabloh @wmag")
![The intersection of persona, product, propaganda, and profit. In 2021 is the brand Supreme any different than the brand GAGOSIAN? No. They are both strategic entities focused on valuations, cultural and capital. Each bestow status on their investors. What I am fascinated by is that they both trade in Dead Data. I find no intellectual difference between a Supreme x John Woo collaboration as GAGOSIAN exhibiting Harmony Korine’s paintings. In each case the two of them are basing the products social influence and exchange value on established [Dead] [Data] information. Both are DOA. Each of the artists and brands chosen for the first exhibition STUPID and the second DROPS are attempting an impossible narrative, to raise dead informational bits. What I find Intellectually horrifying is the scale of the audience and the financial market for this morbid display. The culturally transgressive destroys established values. The works in STUPID and DROPS are intellectual crimes in that they present what has already lost all meaning and value and the propaganda creates an altogether false meta-value. The transgressive preserves creative innocence by exposing the inherent corruption of the status quo.
MARK EVEN x STEVE OKLYN
2021](https://scontent-cdt1-1.cdninstagram.com/v/t51.29350-15/196860070_809654653271496_8575323350180795315_n.jpg?_nc_cat=105&ccb=1-5&_nc_sid=8ae9d6&_nc_ohc=TP1cxbc1pQsAX_pkWMe&_nc_ht=scontent-cdt1-1.cdninstagram.com&edm=ANo9K5cEAAAA&oh=71a66c4b2a89fd0b56bcadf9811dbe52&oe=616CCE49 "The intersection of persona, product, propaganda, and profit. In 2021 is the brand Supreme any different than the brand GAGOSIAN? No. They are both strategic entities focused on valuations, cultural and capital. Each bestow status on their investors. What I am fascinated by is that they both trade in Dead Data. I find no intellectual difference between a Supreme x John Woo collaboration as GAGOSIAN exhibiting Harmony Korine’s paintings. In each case the two of them are basing the products social influence and exchange value on established [Dead] [Data] information. Both are DOA. Each of the artists and brands chosen for the first exhibition STUPID and the second DROPS are attempting an impossible narrative, to raise dead informational bits. What I find Intellectually horrifying is the scale of the audience and the financial market for this morbid display. The culturally transgressive destroys established values. The works in STUPID and DROPS are intellectual crimes in that they present what has already lost all meaning and value and the propaganda creates an altogether false meta-value. The transgressive preserves creative innocence by exposing the inherent corruption of the status quo.
MARK EVEN x STEVE OKLYN
2021")
![Mark Even American artist
Born 2000 Mountain View, CA.
Mark Even was convicted of a cybercrime in 2015. He was sentenced to ten years to be served at a new Federal prison: BALSEC ONE specifically for cyber criminals. It is located in Steele City, Nebraska.
Mark has used his time to develop an algorithmic based [Code art also known as code generated experiments] creative practice. He refers to BALSEC ONE as his Marfa. The BLACK POWER series is his newest work.
Note: Mark has no access to a computer in prison. He writes down the instructions of the work which are given to his lawyer who gives those directions to a member of the MLF [Mark Lombardi Faction] who have assisted him on a number of projects. Mark is currently thinking of releasing the BLACK POWER works as individual NFTs.
STEVE OKLYN
443 Institute
Thimphu, Bhutan](https://scontent-cdt1-1.cdninstagram.com/v/t51.29350-15/172246940_241775834361086_412793993617799165_n.jpg?_nc_cat=110&ccb=1-5&_nc_sid=8ae9d6&_nc_ohc=NsdBJGeJdKAAX9xoVs-&_nc_ht=scontent-cdt1-1.cdninstagram.com&edm=ANo9K5cEAAAA&oh=23c0b24cd8bea0d8a7dfccbbf2d75736&oe=616DAD75 "Mark Even American artist
Born 2000 Mountain View, CA.
Mark Even was convicted of a cybercrime in 2015. He was sentenced to ten years to be served at a new Federal prison: BALSEC ONE specifically for cyber criminals. It is located in Steele City, Nebraska.
Mark has used his time to develop an algorithmic based [Code art also known as code generated experiments] creative practice. He refers to BALSEC ONE as his Marfa. The BLACK POWER series is his newest work.
Note: Mark has no access to a computer in prison. He writes down the instructions of the work which are given to his lawyer who gives those directions to a member of the MLF [Mark Lombardi Faction] who have assisted him on a number of projects. Mark is currently thinking of releasing the BLACK POWER works as individual NFTs.
STEVE OKLYN
443 Institute
Thimphu, Bhutan")
