[SIGNED] 99% YOUTH

DELUSIONAL AND DANGEROUS [SIGNED] 99% YOUTH

Pharrell is obviously just as delusional as Kanye* as this point. His speech about « no brands » and then his ass

INSTAGRAM POMPE WARHOL [SIGNÉ 99% YOUTH]

Instagram n’est pas la continuité des polaroïds d’Andy Warhol. Instagram détruit le contexte et la valeur culturelle des

FUCK WARHOL [SIGNED] 99% YOUTH

Andy Warhol died in 1987. WARHOLISM should have died in 1987. The key reason the fiction of Andy Warhol and

Talib Kweli [Fuck The Money]

The « FUCK » Movement is growing everyday. FUCK THE MYTHS FUCK THEIR FICTIONS FUCK THEM ALL [SIGNED] 99% YOUTH Here’s

99% YOUTH COMMUNIQUE No. 6 [FICTIONS]

FUCK LOVE MAGAZINE FUCK COMITE COLBERT FUCK MR PORTER FUCK W MAGAZINE FUCK DOVER STREET MARKET FUCK NUMERO FUCK KCD FUCK BERLUTI FUCK TOILETPAPER FUCK BUSINESS OF FASHION FUCK FONDAZIONE PRADA FUCK POP MAGAZINE FUCK KERING FUCK CR FASHION BOOK FUCK THEIR FICTIONS 99% YOUTH https://www.youtube.com/wa

COURREGES: STRATEGIE & TACTIQUES 2016-17 [SIGNÉ] 99% YOUTH

Dès 2015, pour les jeunes créatifs du monde entier, la vie sera synonyme de participation aux vastes systèmes mondiaux de

Gil Scott-Heron : New York Is Killing Me

WAR DANCE internet radio, produced and curated by 99% YOUTH is an aural autonomous zone. Here is another example of

COURREGES: STRATEGY & TACTICS 2016-17 [SIGNED] 99% YOUTH

In 2015 and beyond, for the young creatives of the world, being alive will mean the same thing as participating

99% YOUTH Communique No. 5 [HAPPINESS]

« Wanna Be Cool » [SIGNED] 99% YOUTH

From Newhouse to Kimye’s house, we say FUCK THEM ALL. Another track previewing the sonic strategy of WAR DANCE our [99% YOUTH] internet radio station: Chance The Rapper « Wanna Be Cool » from his new album [SURF] 2015 https://www.youtube.com/watch?v=lTmtfrbiiHA [SIGNED] 99% YOUTH

99% YOUTH : COURREGES STRATEGY 2016 – 2017

YOUR TEXT HERE SMK – 99% YOUTH

Communiqué No.1 : 99% YOUTH

FUCK THEM ALL est une campagne stratégique visant à présenter un message qui devrait bouleverser la perception qu’a le