Photographie
Blowout, l’exposition en ligne qui prouve que la radicalité naît toujours de l’unité
La radicalité naît toujours de l'unité. C'est ce que nous prouve la légendaire librairie gay de Los Angeles, aujourd'hui fermée,...
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Enfin une série originale qui dresse le portrait d’immenses photographes
Vous avez aimé Chef’s table sur Netflix ? Vous allez probablement adorer cette nouvelle série documentaire sous forme de portraits,...
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Voici en images l’envers du décors d’un bordel en Allemagne
Derrière une pute se cache toujours un client. C'est sans doute ce qu'à voulu démontrer par l'image l'artiste Bettina Flitner...
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La critique d’art la plus acerbe et pertinente de 2020 est une petite poupée Barbie
Juste avant que le monde s'arrête, il y avait petite poupée Barbie qui était en train de conquérir le monde...
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Entretien exclusif avec Daniel Frasnay, légende de la photographie
Voilà bientôt plus de dix ans que j’interviewe des photographes, mon plus beau souvenir était un entretien avec Bettina Rheims...
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Festival Voies Off 2019 : Envoyez vos travaux photographiques ici et maintenant!
Depuis plus de 23 ans le festival Voies Off à Arles s'est imposé comme une référence dans le monde la...
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Dorothea Lange : Politiques du visible
Si l'artiste Dorothea Lange était encore vivante, elle serait probablement membre de 99% YOUTH. A voir son œuvre au Jeu...
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Diane Moulenc : le prolongement d’un étonnement
Diane Moulenc est un sacré personnage. Fraîchement diplômée de l’École Nationale de la Photographie d’Arles, cette jeune femme de 24...
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Anna Boyiazis : photographe humaniste et bouleversante
Anna Boyiazis est une photographe américaine basée entre la Californie du Sud et l'Afrique de l'Est. Elle travaille autour des...
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NOT DRAG le projet photographique LGBTQ+ d’Audrey Gillespie
Audrey Gillespie a su capturer les "drag queen" comme personne. Elle qui vient d'une petite ville d'Irlande, où la scène...
Read moreEDITOR'S CHOICE
APAR.TV wants to experience what is the most progressive ideas, people, and projects that are happening now and that can guide us towards the future.
![Predictive Journalism [Magazines] @virgilabloh @wmag](https://scontent-cdg2-1.cdninstagram.com/v/t51.29350-15/209584973_2957777841155347_4545370530577311983_n.jpg?_nc_cat=111&ccb=1-5&_nc_sid=8ae9d6&_nc_ohc=tcRePr_L2N4AX9OQ0T3&_nc_ht=scontent-cdg2-1.cdninstagram.com&edm=ANo9K5cEAAAA&oh=1a85fdca505404c0d49c31aa74aea9e2&oe=616E367F "Predictive Journalism [Magazines] @virgilabloh @wmag")
![The intersection of persona, product, propaganda, and profit. In 2021 is the brand Supreme any different than the brand GAGOSIAN? No. They are both strategic entities focused on valuations, cultural and capital. Each bestow status on their investors. What I am fascinated by is that they both trade in Dead Data. I find no intellectual difference between a Supreme x John Woo collaboration as GAGOSIAN exhibiting Harmony Korine’s paintings. In each case the two of them are basing the products social influence and exchange value on established [Dead] [Data] information. Both are DOA. Each of the artists and brands chosen for the first exhibition STUPID and the second DROPS are attempting an impossible narrative, to raise dead informational bits. What I find Intellectually horrifying is the scale of the audience and the financial market for this morbid display. The culturally transgressive destroys established values. The works in STUPID and DROPS are intellectual crimes in that they present what has already lost all meaning and value and the propaganda creates an altogether false meta-value. The transgressive preserves creative innocence by exposing the inherent corruption of the status quo.
MARK EVEN x STEVE OKLYN
2021](https://scontent-cdt1-1.cdninstagram.com/v/t51.29350-15/196860070_809654653271496_8575323350180795315_n.jpg?_nc_cat=105&ccb=1-5&_nc_sid=8ae9d6&_nc_ohc=vTxo9sIcXKoAX9hx_qt&_nc_ht=scontent-cdt1-1.cdninstagram.com&edm=ANo9K5cEAAAA&oh=49f4362bfd5b774cd8bd8725423937c4&oe=616EC889 "The intersection of persona, product, propaganda, and profit. In 2021 is the brand Supreme any different than the brand GAGOSIAN? No. They are both strategic entities focused on valuations, cultural and capital. Each bestow status on their investors. What I am fascinated by is that they both trade in Dead Data. I find no intellectual difference between a Supreme x John Woo collaboration as GAGOSIAN exhibiting Harmony Korine’s paintings. In each case the two of them are basing the products social influence and exchange value on established [Dead] [Data] information. Both are DOA. Each of the artists and brands chosen for the first exhibition STUPID and the second DROPS are attempting an impossible narrative, to raise dead informational bits. What I find Intellectually horrifying is the scale of the audience and the financial market for this morbid display. The culturally transgressive destroys established values. The works in STUPID and DROPS are intellectual crimes in that they present what has already lost all meaning and value and the propaganda creates an altogether false meta-value. The transgressive preserves creative innocence by exposing the inherent corruption of the status quo.
MARK EVEN x STEVE OKLYN
2021")
![Mark Even American artist
Born 2000 Mountain View, CA.
Mark Even was convicted of a cybercrime in 2015. He was sentenced to ten years to be served at a new Federal prison: BALSEC ONE specifically for cyber criminals. It is located in Steele City, Nebraska.
Mark has used his time to develop an algorithmic based [Code art also known as code generated experiments] creative practice. He refers to BALSEC ONE as his Marfa. The BLACK POWER series is his newest work.
Note: Mark has no access to a computer in prison. He writes down the instructions of the work which are given to his lawyer who gives those directions to a member of the MLF [Mark Lombardi Faction] who have assisted him on a number of projects. Mark is currently thinking of releasing the BLACK POWER works as individual NFTs.
STEVE OKLYN
443 Institute
Thimphu, Bhutan](https://scontent-cdt1-1.cdninstagram.com/v/t51.29350-15/172246940_241775834361086_412793993617799165_n.jpg?_nc_cat=110&ccb=1-5&_nc_sid=8ae9d6&_nc_ohc=NsdBJGeJdKAAX9xoVs-&_nc_ht=scontent-cdt1-1.cdninstagram.com&edm=ANo9K5cEAAAA&oh=bad74dc95a374a1a3a389075b9ada30e&oe=616FA7B5 "Mark Even American artist
Born 2000 Mountain View, CA.
Mark Even was convicted of a cybercrime in 2015. He was sentenced to ten years to be served at a new Federal prison: BALSEC ONE specifically for cyber criminals. It is located in Steele City, Nebraska.
Mark has used his time to develop an algorithmic based [Code art also known as code generated experiments] creative practice. He refers to BALSEC ONE as his Marfa. The BLACK POWER series is his newest work.
Note: Mark has no access to a computer in prison. He writes down the instructions of the work which are given to his lawyer who gives those directions to a member of the MLF [Mark Lombardi Faction] who have assisted him on a number of projects. Mark is currently thinking of releasing the BLACK POWER works as individual NFTs.
STEVE OKLYN
443 Institute
Thimphu, Bhutan")
