Vous avez certainement vu son travail, même si le nom ne vous est pas familier. La très respectée directrice artistique basée à Los Angeles discute des histoires qui se cachent derrière son travail, notamment Portrait of a Lady on Fire de Céline Sciamma et Funny Games de Michael Haneke.
Akiko Stehrenberger est le Bong Joon-Ho du monde de l’affiche de film. Akiko Stehrenberger – également incontournable sur Instagram – a conçu et illustré des affiches de film pour Michael Haneke, Lynne Ramsay, les frères Coen, Spike Jonze, Sofia Coppola, Ken Loach, David Lynch, Harmony Korine, Steven Soderbergh, Jonathan Glazer, Alma Har’el, Hirokazu Kore-eda, Jim Jarmusch, Tom Ford, Joachim Trier, Gus Van Sant, Dee Rees et Luca Guadagnino entre autres.
Il ne lui manque en fait que Wes Anderson et Paul Thomas Anderson. C’est son dernier rêve à réaliser.
Aujourd’ui, plus de 15 ans d’affiches signées Akiko Stehrenberger ont été rassemblés dans un nouveau livre, « Akikomatic: The Work of Akiko Stehrenberger ». Le processus pratique de Akiko Stehrenberger est également une rareté dans l’industrie. «L’idée fausse est que je ne suis qu’une illustratrice. Dans la publicité traditionnelle, on dit à un illustrateur quoi peindre et comment le peindre, car un directeur artistique a eu l’idée. Mais j’ai commencé dans cette industrie en tant que directrice artistique et, cerise sur le gâteau, j’ai commencé avec le dessin et l’illustration. Directrice artistique est toujours mon titre, car je suis toujours en train de proposer les concepts, le style d’illustration et la mise en page des caractères. »
Oui, Akiko Stehrenberger est d’abord et avant tout une directrice artistique et ensuite une illustratrice. Ses affiches se différencient énormément d’un film à l’autre. La preuves en images ici et maintenant.
![BLACK POWER series 2021 [Mark Even]](https://www.apar.tv/wp-content/uploads/2021/04/MURDEREDOUT_MarcelDuchamp_MarkEven_landscape-75x75.jpg)
![Predictive Journalism [Magazines] @virgilabloh @wmag](https://scontent-cdg2-1.cdninstagram.com/v/t51.29350-15/209584973_2957777841155347_4545370530577311983_n.jpg?_nc_cat=111&ccb=1-3&_nc_sid=8ae9d6&_nc_ohc=280WM6UQe2QAX-EJb8X&_nc_ht=scontent-cdg2-1.cdninstagram.com&edm=ANo9K5cEAAAA&oh=be6fdbd428c7e917df521c382fd39ca0&oe=610F4A7F "Predictive Journalism [Magazines] @virgilabloh @wmag")
![The intersection of persona, product, propaganda, and profit. In 2021 is the brand Supreme any different than the brand GAGOSIAN? No. They are both strategic entities focused on valuations, cultural and capital. Each bestow status on their investors. What I am fascinated by is that they both trade in Dead Data. I find no intellectual difference between a Supreme x John Woo collaboration as GAGOSIAN exhibiting Harmony Korine’s paintings. In each case the two of them are basing the products social influence and exchange value on established [Dead] [Data] information. Both are DOA. Each of the artists and brands chosen for the first exhibition STUPID and the second DROPS are attempting an impossible narrative, to raise dead informational bits. What I find Intellectually horrifying is the scale of the audience and the financial market for this morbid display. The culturally transgressive destroys established values. The works in STUPID and DROPS are intellectual crimes in that they present what has already lost all meaning and value and the propaganda creates an altogether false meta-value. The transgressive preserves creative innocence by exposing the inherent corruption of the status quo.
MARK EVEN x STEVE OKLYN
2021](https://scontent-cdt1-1.cdninstagram.com/v/t51.29350-15/196860070_809654653271496_8575323350180795315_n.jpg?_nc_cat=105&ccb=1-3&_nc_sid=8ae9d6&_nc_ohc=2kEA3TgIjMkAX9lNu_N&_nc_ht=scontent-cdt1-1.cdninstagram.com&edm=ANo9K5cEAAAA&oh=e046febcb596990ebe7a9b30c15de67d&oe=610DE249 "The intersection of persona, product, propaganda, and profit. In 2021 is the brand Supreme any different than the brand GAGOSIAN? No. They are both strategic entities focused on valuations, cultural and capital. Each bestow status on their investors. What I am fascinated by is that they both trade in Dead Data. I find no intellectual difference between a Supreme x John Woo collaboration as GAGOSIAN exhibiting Harmony Korine’s paintings. In each case the two of them are basing the products social influence and exchange value on established [Dead] [Data] information. Both are DOA. Each of the artists and brands chosen for the first exhibition STUPID and the second DROPS are attempting an impossible narrative, to raise dead informational bits. What I find Intellectually horrifying is the scale of the audience and the financial market for this morbid display. The culturally transgressive destroys established values. The works in STUPID and DROPS are intellectual crimes in that they present what has already lost all meaning and value and the propaganda creates an altogether false meta-value. The transgressive preserves creative innocence by exposing the inherent corruption of the status quo.
MARK EVEN x STEVE OKLYN
2021")
![Mark Even American artist
Born 2000 Mountain View, CA.
Mark Even was convicted of a cybercrime in 2015. He was sentenced to ten years to be served at a new Federal prison: BALSEC ONE specifically for cyber criminals. It is located in Steele City, Nebraska.
Mark has used his time to develop an algorithmic based [Code art also known as code generated experiments] creative practice. He refers to BALSEC ONE as his Marfa. The BLACK POWER series is his newest work.
Note: Mark has no access to a computer in prison. He writes down the instructions of the work which are given to his lawyer who gives those directions to a member of the MLF [Mark Lombardi Faction] who have assisted him on a number of projects. Mark is currently thinking of releasing the BLACK POWER works as individual NFTs.
STEVE OKLYN
443 Institute
Thimphu, Bhutan](https://scontent-cdt1-1.cdninstagram.com/v/t51.29350-15/172246940_241775834361086_412793993617799165_n.jpg?_nc_cat=110&ccb=1-3&_nc_sid=8ae9d6&_nc_ohc=jG9d19jLvwEAX9i0sas&_nc_ht=scontent-cdt1-1.cdninstagram.com&edm=ANo9K5cEAAAA&oh=4c312d092188b476c5c2558916132686&oe=610EC175 "Mark Even American artist
Born 2000 Mountain View, CA.
Mark Even was convicted of a cybercrime in 2015. He was sentenced to ten years to be served at a new Federal prison: BALSEC ONE specifically for cyber criminals. It is located in Steele City, Nebraska.
Mark has used his time to develop an algorithmic based [Code art also known as code generated experiments] creative practice. He refers to BALSEC ONE as his Marfa. The BLACK POWER series is his newest work.
Note: Mark has no access to a computer in prison. He writes down the instructions of the work which are given to his lawyer who gives those directions to a member of the MLF [Mark Lombardi Faction] who have assisted him on a number of projects. Mark is currently thinking of releasing the BLACK POWER works as individual NFTs.
STEVE OKLYN
443 Institute
Thimphu, Bhutan")
