Une image du film controversé d’autopsie extraterrestre de 1947 est vendue aux enchères pour plus d’un million de dollars, soit 450 Ethereum. Il est vendu comme un jeton non fongible pour vérifier son authenticité.
Le gagnant recevra également une image physique de 16 mm du film original qui a été tourné en 1947.
Les images auraient été « authentifiées » par la CIA. La controverse autour du film et de son authenticité existe malgré tout depuis des années.
Le film de 16 mm montre les conséquences du prétendu crash d’OVNI à Roswell, au Nouveau-Mexique, avec une figure humanoïde sur une table d’opération.
Le film de 17 minutes montre la silhouette avec une blessure massive à la jambe droite, de grands yeux, un crâne et plusieurs individus différents marchant autour de la silhouette vêtus de costumes blancs.
Le gagnant de l’enchère recevra les images sous forme de NFT, montrant essentiellement son authenticité via des lignes de code.
La vente aux enchères est menée par Rarible, qui se présente comme le «plus grand marché NFT décentralisé et centré sur les créateurs pour une variété de contenus multimédias».
Le gagnant recevra également une image physique en 16 mm du film original qui a été tourné en 1947, selon un communiqué. Les images auraient été « authentifiées » par la CIA, selon le propriétaire du film, l’entrepreneur britannique Ray Santilli qui l’a acquis en 1992 à un caméraman militaire américain à la retraite, selon le communiqué.
«Je vis avec ce film et l’histoire qui l’entoure depuis 30 ans», a déclaré Santilli dans le communiqué. « Quand j’ai vu pour la première fois les journaux de la CIA avec leur vérification de l’événement de Roswell et du film Alien Autopsy, un poids énorme a été soulevé de mes épaules. Je crois que la technologie dont nous jouissons aujourd’hui a commencé en 1947 avec le crash de Roswell et que le NFT et la seule image de film proposés sont de loin l’un des articles les plus précieux à être mis aux enchères. »
![NOVACENE No.1 Triptych 2021 [MARK EVEN x STEVE OKLYN]](https://www.apar.tv/wp-content/uploads/2021/06/NOVACENE_No1_MARKEVEN_STEVEOKLYN_2021-75x75.jpg)
![Predictive Journalism [Magazines] @virgilabloh @wmag](https://scontent-cdg2-1.cdninstagram.com/v/t51.29350-15/209584973_2957777841155347_4545370530577311983_n.jpg?_nc_cat=111&ccb=1-5&_nc_sid=8ae9d6&_nc_ohc=1HiUsGd7uYMAX-Qk_zF&_nc_ht=scontent-cdg2-1.cdninstagram.com&edm=ANo9K5cEAAAA&oh=540ee951ddaa4764615850e23b5bd30f&oe=61567B7F "Predictive Journalism [Magazines] @virgilabloh @wmag")
![The intersection of persona, product, propaganda, and profit. In 2021 is the brand Supreme any different than the brand GAGOSIAN? No. They are both strategic entities focused on valuations, cultural and capital. Each bestow status on their investors. What I am fascinated by is that they both trade in Dead Data. I find no intellectual difference between a Supreme x John Woo collaboration as GAGOSIAN exhibiting Harmony Korine’s paintings. In each case the two of them are basing the products social influence and exchange value on established [Dead] [Data] information. Both are DOA. Each of the artists and brands chosen for the first exhibition STUPID and the second DROPS are attempting an impossible narrative, to raise dead informational bits. What I find Intellectually horrifying is the scale of the audience and the financial market for this morbid display. The culturally transgressive destroys established values. The works in STUPID and DROPS are intellectual crimes in that they present what has already lost all meaning and value and the propaganda creates an altogether false meta-value. The transgressive preserves creative innocence by exposing the inherent corruption of the status quo.
MARK EVEN x STEVE OKLYN
2021](https://scontent-cdt1-1.cdninstagram.com/v/t51.29350-15/196860070_809654653271496_8575323350180795315_n.jpg?_nc_cat=105&ccb=1-5&_nc_sid=8ae9d6&_nc_ohc=E-hW2SYA5ncAX8ehmCB&_nc_ht=scontent-cdt1-1.cdninstagram.com&edm=ANo9K5cEAAAA&oh=b3da67ef0678697de0403d7540b8ef16&oe=61551349 "The intersection of persona, product, propaganda, and profit. In 2021 is the brand Supreme any different than the brand GAGOSIAN? No. They are both strategic entities focused on valuations, cultural and capital. Each bestow status on their investors. What I am fascinated by is that they both trade in Dead Data. I find no intellectual difference between a Supreme x John Woo collaboration as GAGOSIAN exhibiting Harmony Korine’s paintings. In each case the two of them are basing the products social influence and exchange value on established [Dead] [Data] information. Both are DOA. Each of the artists and brands chosen for the first exhibition STUPID and the second DROPS are attempting an impossible narrative, to raise dead informational bits. What I find Intellectually horrifying is the scale of the audience and the financial market for this morbid display. The culturally transgressive destroys established values. The works in STUPID and DROPS are intellectual crimes in that they present what has already lost all meaning and value and the propaganda creates an altogether false meta-value. The transgressive preserves creative innocence by exposing the inherent corruption of the status quo.
MARK EVEN x STEVE OKLYN
2021")
![Mark Even American artist
Born 2000 Mountain View, CA.
Mark Even was convicted of a cybercrime in 2015. He was sentenced to ten years to be served at a new Federal prison: BALSEC ONE specifically for cyber criminals. It is located in Steele City, Nebraska.
Mark has used his time to develop an algorithmic based [Code art also known as code generated experiments] creative practice. He refers to BALSEC ONE as his Marfa. The BLACK POWER series is his newest work.
Note: Mark has no access to a computer in prison. He writes down the instructions of the work which are given to his lawyer who gives those directions to a member of the MLF [Mark Lombardi Faction] who have assisted him on a number of projects. Mark is currently thinking of releasing the BLACK POWER works as individual NFTs.
STEVE OKLYN
443 Institute
Thimphu, Bhutan](https://scontent-cdt1-1.cdninstagram.com/v/t51.29350-15/172246940_241775834361086_412793993617799165_n.jpg?_nc_cat=110&ccb=1-5&_nc_sid=8ae9d6&_nc_ohc=rYlvwDgeL0QAX8CZ_-U&_nc_ht=scontent-cdt1-1.cdninstagram.com&edm=ANo9K5cEAAAA&oh=453e0f712f983aa9e780c9352fe090bd&oe=6155F275 "Mark Even American artist
Born 2000 Mountain View, CA.
Mark Even was convicted of a cybercrime in 2015. He was sentenced to ten years to be served at a new Federal prison: BALSEC ONE specifically for cyber criminals. It is located in Steele City, Nebraska.
Mark has used his time to develop an algorithmic based [Code art also known as code generated experiments] creative practice. He refers to BALSEC ONE as his Marfa. The BLACK POWER series is his newest work.
Note: Mark has no access to a computer in prison. He writes down the instructions of the work which are given to his lawyer who gives those directions to a member of the MLF [Mark Lombardi Faction] who have assisted him on a number of projects. Mark is currently thinking of releasing the BLACK POWER works as individual NFTs.
STEVE OKLYN
443 Institute
Thimphu, Bhutan")
